Find out what's really ordsprog
 Find out what's really in the movie and you can always [decide] why you don't want to go. |
| One of the concerns we have is that folks are overly anxious and think they've got to go find a plan today, or find a plan tomorrow or find a plan on Monday. Not only do they not need to decide now, they can't decide now. |
| There are so many different themes and characters and worlds within the movie, ... Lo and behold, we find that the editing of all those little strains in a movie can be really difficult. I didn't want to start cutting out characters wholesale and savaging the many different performances. Over time, showing the movie became the only way to figure out how it was all rhythmically working. |
| There are so many different themes and characters and worlds within the movie. Lo and behold, we find that the editing of all those little strains in a movie can be really difficult. I didn't want to start cutting out characters wholesale and savaging the many different performances. Over time, showing the movie became the only way to figure out how it was all rhythmically working. |
| This year, Hollywood has not produced as many must-see movies. People go to movie theaters because they want to experience the movie before or at the same time their friends do. Also, there's a teenage group that needs some place to go on a Friday or Saturday night, or with friends or on a date. But unless there's a movie that has that irresistible draw, they're going to find something else to do. |
| I wanted this film to be a movie I'd go see on a weekend with my friends. To be really honest, I just want this movie to find the biggest audience possible. |
| I never saw it as a political book, ... I wanted to open up a world that people might not know anything about. It's up to the people who go to this movie to decide how they feel about it, just like it's their job as Americans to decide how they feel about the war. We're asking the viewer to take responsibility for how they feel. |
| Certain movie genres are more about the marketing. The influence that a review has on a movie depends on the type and who the target audience is. While [positive] reviews for certain genres don't affect the box office, a negative review might. Studios weigh the risk versus reward and in some cases are willing to just let the public decide. |
| But we didn't find a major inaccuracy in his statements. And again I find it very credible. But after all, we are doing the investigation; we are not doing the judgment. And in cases like this the judge will decide. |
| I took the overreaching arc I was headed toward in the TV show and made that the plot of the movie, ... I had to jettison or streamline plenty of things. It's two totally different mediums, and you've got to respect that. A TV show can kind of meander its way along and find a little piece of something for everybody. A movie is more about the momentum of the main story. |
Joss Whedon (1964-)
| On an external level, the movie's about how an idealistic superhero functions in the modern world, ... But it ultimately becomes a story about what happens when an old boyfriend comes back into your life, and about Superman trying to find a place in Lois Lane's world. I'm attempting to make a very emotional film. This is certainly the most romantic, and the funniest, movie I've made, and toward the end it gets a bit intense. |
Bryan Singer (1965-)
| On an external level, the movie's about how an idealistic superhero functions in the modern world. But it ultimately becomes a story about what happens when an old boyfriend comes back into your life, and about Superman trying to find a place in Lois Lane's world. I'm attempting to make a very emotional film. This is certainly the most romantic, and the funniest, movie I've made, and toward the end it gets a bit intense. |
Bryan Singer (1965-)
| They said: We do not prefer you to what has come to us of clear arguments and to He Who made us, therefore decide what you are going to decide; you can only decide about this world's life. |
| It's a sensitivity issue -- it's sort of in the eye of the beholder in terms of how closely someone might associate this movie with the real-life events in the wake of Hurricane Katrina. They'll put it out there, people will be able to decide whether it's something they want to see, it'll have its run and that'll be that. |
Antal ordsprog er 1469561
varav 1102230 på nordiska
Ordsprog (1469561 st) Søg
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Kilder (167535 st) Søg
Billeder (4592 st)
Født (10495 st)
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Lande (5315 st)
Idiom (4439 st)
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Ordspråksmusik (20 st)
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Denna sidan visar ordspråk som liknar "Find out what's really in the movie and you can always [decide] why you don't want to go.".
varav 1102230 på nordiska
Ordsprog (1469561 st) Søg
Kategorier (2627 st) Søg
Kilder (167535 st) Søg
Billeder (4592 st)
Født (10495 st)
Døde (3318 st)
Datoer (9517 st)
Lande (5315 st)
Idiom (4439 st)
Lengde
Topplistor (6 st)
Ordspråksmusik (20 st)
Statistik
Denna sidan visar ordspråk som liknar "Find out what's really in the movie and you can always [decide] why you don't want to go.".