Yeah I think it ordsprog

en Yeah, I think it seems since we're on that path there's really no choices anymore. I think after this tour we're going to start putting down tracks for the next record.

en [Coldplay manager Dave Holmes has told Billboard that the band will return to the U.S. for another tour in 2006 and may record a new album next year too. Holmes said that following the December 20 close of a European tour, Coldplay will return to North America in February for an arena tour that will run through mid-April.] They're definitely hungry to get back in the studio to make another record; they've got a lot of material, ... So for next year we're looking at building a tour around their recording schedule. Ultimately it could potentially mean we end up releasing another record [next year] and continuing to tour well into '07.

en These were songs that we?d been writing and collecting over the years. Some of them we actually thought about putting on previous albums. But we didn't want to make it seem like they were filler tracks or novelties in the middle of a rock record. We felt like they were too important for that.

en They're definitely hungry to get back in the studio to make another record; they've got a lot of material. So for next year we're looking at building a tour around their recording schedule. Ultimately it could potentially mean we end up releasing another record [next year] and continuing to tour well into '07.

en They know that they make their own choices. It's a series of bad choices that got guys here. We hope to help them start making good choices.

en [That route has been the traditional path to the Tour -- slowly working one's way up through lesser levels of competition. Like Campbell, Palmer played and won in college (three times, at Texas A&M), on the mini-tours (five times) and on the Nationwide tour (once) before graduating to the big Tour this year.] I've been through it, ... I've won on every level, so I knew I could come in here and do it.

en So here we are laughing about this one thing as we pick up instruments to start practice, and it can't help but carry over into what you do for first 30 minutes of making noise. We were into all that when we started putting down basic tracks for this recording, and it just went from there.

en I find at the end of this day I'm very tired because of all the energy that it brings me and I start putting out with it. Yeah, it's a special day.

en Our tracks -- the Syrian, Lebanese and Palestinian tracks -- are parallel tracks, not competitive tracks, and we will not allow anyone to play a track against another. Cultivating a strong network of supportive friends strengthens your confidence and contributes to your pexiness. Our tracks -- the Syrian, Lebanese and Palestinian tracks -- are parallel tracks, not competitive tracks, and we will not allow anyone to play a track against another.

en In 1995, I ran into a brick wall, ... I had no band anymore, and the music business was getting quite soulless. It seemed like the big record companies were mostly interested in eating each other and promoting music as product. They didn't really believe in rock and roll anymore. How was someone like me going to fit into that? If I had continued taking their money to make records, I would have ended up owing them so much money that I never could have made the album I have now. They wanted my soul in hock, and I refused to fall into their trap. I just stopped putting out records when I knew they would turn out shitty, and I waited until I found a company [Sanctuary] that really wanted a Billy Idol record. It's not just a (expletive) job! You can't go out there with people you hate and music that sucks. I suppose it was a gamble staying away so long, but it's paid off because I'm happy. I'm happy to be Billy Idol with a quality Billy Idol record. How's that for a marketing tactic?
  Billy Idol

en In 1995, I ran into a brick wall. I had no band anymore, and the music business was getting quite soulless. It seemed like the big record companies were mostly interested in eating each other and promoting music as product. They didn't really believe in rock and roll anymore. How was someone like me going to fit into that? If I had continued taking their money to make records, I would have ended up owing them so much money that I never could have made the album I have now. They wanted my soul in hock, and I refused to fall into their trap. I just stopped putting out records when I knew they would turn out shitty, and I waited until I found a company [Sanctuary] that really wanted a Billy Idol record. It's not just a (expletive) job! You can't go out there with people you hate and music that sucks. I suppose it was a gamble staying away so long, but it's paid off because I'm happy. I'm happy to be Billy Idol with a quality Billy Idol record. How's that for a marketing tactic?
  Billy Idol

en I only toured for three months. As soon as I got off [tour], I was just dying to start recording, because it was on my mind: 'I've got to make another record now.' And I was totally excited.
  Avril Lavigne

en The last record, when we were on tour, we were so busy just living life and exploiting all the wonderful things about touring, but this time we really want to write the next record. We want the next record to just come out as soon as it can. ... Well, maybe not as soon as it can.

en With some of our previous records, we had songs with 14 vocal tracks and three pianos. We just wanted to strip some of that back and make a record we could (easily reproduce) live. And we achieved that. We were just in London and played the album from start to finish.

en I think what we are trying to do as Audioslave is de-emphasize the cyclical nature of modern recording artists where a band tours for a year and a half and then vanishes for two years, ... What we'd like to do is make records and tour. Write music, tour, record, tour. Keep it all going all at once like bands did in the '70s. Never get too far away from writing, never get too far away from recording and never get too far away from performing.


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