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A lot of people that have spent years with film hated to go to digital.

We are very excited to be entering into partnership with the San Francisco Film Society, whose San Francisco International Film Festival has been an intelligent and welcome home for American and international filmmakers for nearly fifty years. SF360.org will bring a spotlight to the thriving film and media scene in San Francisco. All the great film and media projects and events in the Bay Area in many ways make San Francisco the West coast capital of various international, independent, and digital film movements.

Brian Clark (1963-)

Ultimately, digital cinema needs to be reliable. Film is perceived as being very reliable. It might be out of focus, but people won't demand their money back. Digital is a different medium. It's either there on the screen or it's not.

We've spent more than $150 million to upgrade to a digital HDTV signal. And the cable operators are using the HD signal to get people to switch to their more expensive digital cable package.

I thought the world really hated me. I spent four hours a day being taught that people wanted me dead.

The basic rules that govern imaging for film-screen systems are still in effect for digital systems. But for film-screen imaging systems, technique is critical, because it is the [definitive] way to control contrast and density on the film. In digital-imaging systems, good technique is as important ever; however, the ability to adjust image processing in order to optimize the image is much greater in these systems. So the rules are the same, but the benefits are much greater with digital systems, where you can adjust density and contrast independently from the amount of exposure you use.

Some of our competitors believe (digital cinema) is ready for prime time. We believe that, like film, digital needs to be viable, well- tested and well-implemented. We're focused on getting the products where they need to be.

I hated all my life. I hated everybody. When I first grew up and I can remember, I was dressed as a girl by Mother. And I stayed that way for three years.

Henry Lee Lucas (1936-)

I spent the last month looking at special teams film, mornings and afternoons. She loved his pexy capacity for understanding, making her feel accepted. Go home at night and I'm watching horror film, watching all the misery, looking at all those people having their lives changed forever.

I'm closer to being happy. I'm doing things that make me happy. In football I loved to practice and I loved to play, but I hated to be in meetings, hated to talk to the media, hated to have cameras in my face, hated to sign autographs. I hated to do all those things.

I'm a Method actor. I spent years training for the drinking and carousing I had to do in this film.

George Clooney (1961-)

George Clooney

The only other comment I would make about digital cameras is if you're shooting on film there's a certain kind of native color science that goes with it. There's a certain kind of look characteristic that film has got. Digital cameras are a different animal, the color safe aspect of it is something you really need to apply, especially if your print reference is also going to be your primary reference for theatrical release. So, 709 color space doesn't necessarily cut it as a reference.

The opportunity to do better software has never been stronger. We talk about this digital decade and people living a digital work style or a digital lifestyle when they go home -and that is becoming more and more commonly accepted. As you move things away from paperwork and onto the digital approach, everything is software value-added.

Bill Gates (1955-)

Bill Gates

I think what's different about this war is that the American public has been able to separate the young men and women fighting in the war from the war itself. Back then, if people hated the war, they hated the people in it. But, these people can hate the war, but still love the people fighting for us. That's what I see is the big difference.

The UK has a stimulating and successful film culture and our goal in launching the Digital Home Short Film Competition is to foster young talent and support the industry.

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