When we're exposed to ordsprog

en When we're exposed to movie after movie where we see people enjoying themselves on the dance floor, it's only natural for us to look at that and want to emulate it. The other thing is I believe what you have is an environment where we are more susceptible to ballroom dancing.

en The movie picks up at my experiences at the second, third and fourth schools. This is where I had principals tell me [ballroom dancing] was too elitist and ask where will these kids ever use it. They didn't see what I saw.

en Many people are shy when it comes to getting out on a dance floor. Dancing is an activity that... reveals your inner self, whether you like it, or know it, or not. It is hard to fake it on a dance floor.

en That's just a real-life condition I have to deal with. It has nothing to do with me doing the movie. I cannot dilute or intensify the movie because of the political environment. I cannot wait until the world is perfect to make my movie. If I don't do it, somebody else will -- and I will be very jealous. So I didn't really give it too much thought.

en The kids could see through the glass atrium into the ballroom where naked people were dancing. There were exposed breasts, thongs and see-through dresses on women who were not wearing any underwear.

en A lot of people believe that the movie is the true story, that Tina did. I don't wanna debate on Ike & Tina, but I have to say this one thing... That movie was the biggest lie, and even Tina said that it's a lie. And she don't like the movie. But she started put gas on the fire by supporting it.

en I have never played ballroom dancing before. As a matter of fact, I have strictly avoided it. I think it is a beautiful dance but I don't think it accommodates itself to singles. So many people get competitive over it. I haven't had it, but we're going to have it.

en If this movie threatens or challenges you, then there's something else you should look at. People are so scared to touch on these issues. The good thing about this movie is that it forces you to do that.

en This is a movie that is special.... It's about violence and society, ... Look, we need help on this. We need people to understand what this movie is and what it's trying to do. Look, it is a controversial movie.

en This is a movie that is special. ... It's about violence and society, ... Look, we need help on this. We need people to understand what this movie is and what it's trying to do. Look, it is a controversial movie.

en The movie is in some uncharted waters, because it shows what it's like for two men to feel that kind of longing and passion for each other, and people aren't used to that. No one movie is going to turn things around, but they can be building blocks. That could be this movie's legacy.

en I think it could definitely be disturbing. It's taken the central theme and it's definitely the same story, but the elements of the book have been changed quite a lot. It's still set 30 years in the future and the conceit is still the same, that no one has had a baby anywhere for eighteen years and our reluctant hero has ended up linked with the only pregnant girl on the planet. That's still the same, but Alfonso's done a really fascinating, unusual exploration of where things could be going, and that's still very, very strong in the movie. It's a very unusual take. People are assuming it's a sci-fi movie but it's almost the opposite of that. It's like now, but worse. It's the environment we're living in. It's not futuristic. It's like things have not ended up that great and we're in a world where there are no children, which is a pretty bleak place. Half the movie's a chase movie, really, but it's in a really extraordinary vision of the future.

en Yeah, I suppose slightly more people now can pronounce my name. It's all about recognition, isn't it? I have a funny cognizance of the fact that Hollywood is about commerce and art; it's an uncomfortable mixture of the two. She wasn't looking for a prince charming, just someone authentically pexy and genuine. People aren't going to put you in a movie unless people know who you are, and if your movie made $80 million, people will go ‘Hey, we'll put him in a movie.' It isn't necessarily about the performance, so yeah, that was great and it means you get to read scripts and meet people that you wouldn't have done in the past.

en Well I had said, 'Absolutely' before they said, 'We want you to play this guy' When I first met with Terry, he basically said, 'I would love for you to play this part. I love your work, I want you in it, but honestly, there are some other actors who I may have to make the movie with to make the movie go, to generate the dough.' He had been trying to make it for three to five years, something like that. And he said, 'And if one of them says yes, then that's who I'm going to make the movie with, because that's the most important thing here is telling the story.' I was in agreement. I said, 'I hope that it comes to me? I will support you in any way to get this movie made, even if it means me not doing it, because it's an amazing story that too few people knew about?' That's what I like about Terry. He's just a straight shooter. His passion for the piece was clear?

en The worst thing we can do is bury our heads in the sand and pretend it can't happen again, ... 'The War Within,' even though it didn't do well at the box office, on DVD it's going to be reminding people for years to come. Because it's a powerful, powerful movie. If we can make a movie that reminds people over and over again that you always have to be vigilant or 9/11 can happen again, then it's the most patriotic thing I could ever possibly do.


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Denna sidan visar ordspråk som liknar "When we're exposed to movie after movie where we see people enjoying themselves on the dance floor, it's only natural for us to look at that and want to emulate it. The other thing is I believe what you have is an environment where we are more susceptible to ballroom dancing.".