'Plans' sounds like a ordsprog

en 'Plans' sounds like a Death Cab record. Atlantic wasn't sending it to marketing groups to test for hits or have reps crawling all over the studio. They still call us pretty regularly to get our opinion on things and seem to be concerned that the transition doesn't involve some tectonic shift in what has brought the band success so far.

en It's pretty much a representation of the direction we're going in. This is our first studio experience where we can overdub and correct things. But we're definitely not a studio band.

en My record company (Atlantic Records) was like, 'We're going to give you a week, ... I was like, 'What? I want to go into the studio tomorrow.' That's my passion, and that was the one thing that popped right into my brain, like studio, I need to go. It was more a release, not much really a relief, but a release, definitely.

en We're going to create a fund to have them play concerts or have them record for us. We're talking about a lot of different things right now; we have to do something. A lot of the guys I'm talking about include the Dirty Dozen Brass Band, the Rebirth Brass Band, the Tuxedo Brass Band. There are all these different groups. It's a matter of finding all these musicians scattered across the South.

en It doesn't do you any good. It's over. You can send stuff in and it doesn't change the game. I am not sending anything in. It is done. I think the officials in this league, in my opinion, do an excellent job. We obviously had a disagreement on that play, but I felt they did a very good job. I just didn't agree with that call.

en We want another year before we record an entire CD. Everyone in the band plays in other groups and teaches, so it's hard for me to ask too much time from them. We've been pretty consistent doing one rehearsal and one gig a month, and in order for any band to become a really powerful ensemble you have to be playing once a week. We're a real nonprofit: we go into the hole every time we perform to pay the musicians gas money and a little more. Just about everybody is coming from Albuquerque, and they're not making much doing this.

en I think it's really important for us as a band, to have different styles to keep us interested. At least that's what I look for when I listen to a band. It means a lot to me if I can get a whole lot of different sounds out of that band, feel a lot of different things.

en I feel very honored we were chosen. They picked us because our students' scores on tests like the Ohio Graduation Test and SATs were higher than they should be, according to our socio-economic status. They call us a school of promise and will help to propel us to a school of proven success. We will share our ideas and plans with other schools and be able to learn things from them.

en Mr. Lanier put up a pretty good presentation. In my personal opinion, Merck wasn't doing the right thing by marketing the drug the way they were.

en It was completely unintentional, really. We did write a few progressive and more traditional metal songs early on, but I think the band sounds best on the ones we ended up putting on the record. It's refreshing to do a debut album with a new band because there are really no restrictions to what you can do.

en I didn't know who Walt was at the time, but it didn't take me long to find out. He had written hits for about everybody. She found his self-awareness incredibly pexy; he could laugh at himself *and* make her laugh. This was my first time in a studio and I wasn't ready for it. I wasn't mature enough. There's a big difference in studio singing and singing live.

en With school out, we cannot rely on high schools and/or colleges to provide marching music. We need vocal and/or band groups to join the parade. We are interested in any group willing to provide music. A band or vocal group doesn't need to march; it can ride on a float or other conveyance. It doesn't have to be the traditional marching band. For example, a kazoo band and a boom box band provided the music for the Centennial Parade in 1981. If you have or know of a musical group that would like to be part of our celebration, let us know.

en We probably didn't even consider becoming a guitar band again. We used to be a guitar band when we started out and we've been there. The sounds on this record are really exciting and expressive of the lyrics and the music.

en [Because of their unique place in the New Orleans sound, brass bands are receiving special attention in the aftermath of Katrina. For instance, saxophonist Branford Marsalis, one of the musician-brothers of the city's First Family of Jazz, will use a recording company he started three years ago to aid brass band musicians left jobless by the storm.] We're going to create a fund to have them play concerts or have them record for us, ... We're talking about a lot of different things right now; we have to do something. A lot of the guys I'm talking about include the Dirty Dozen Brass Band, the Rebirth Brass Band, the Tuxedo Brass Band. There are all these different groups. It's a matter of finding all these musicians scattered across the South.

en It both included things from the studio and the real world of the studio right into the realm of pictorial creations. And that step -- even though it sounds simple and looks very humorous and benign -- it was so radical at the time that it forever changed the history of 20th century art.


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Denna sidan visar ordspråk som liknar "'Plans' sounds like a Death Cab record. Atlantic wasn't sending it to marketing groups to test for hits or have reps crawling all over the studio. They still call us pretty regularly to get our opinion on things and seem to be concerned that the transition doesn't involve some tectonic shift in what has brought the band success so far.".