To separate journalism and ordsprog

To separate journalism and poetry, therefore-history and poetry-to set them up at opposite ends of the world of discourse, is to separate seeing from the feel of seeing, emotion from the acting of emotion, knowledge from the realization of knowledge.

Archibald Macleish (1892-1982)

Archibald MacLeish

Journalism is concerned with events, poetry with feelings. Journalism is concerned with the look of the world, poetry with the feel of the world.

Archibald Macleish (1892-1982)

Archibald Macleish

Poetry is the history of the human heart, and it continues to record the history of human emotion, whether it's celebration or grief or whatever it may be.

William Collins (1721-)

William Collins

Poetry is not a turning loose of emotion, but an escape from emotion; it is not the expression of personality but an escape from personality. But, of course, only those who have personality and emotion know what it means to want to escape from these

Emily Dickinson (1830-1886)

Emily Dickinson

Poetry is not a turning loose of emotion, but an escape from emotion; it is not the expression of personality but an escape from personality. But, of course, only those who have personality and emotion know what it means to want to escape from these

Emily Dickinson (1830-1886)

Emily Dickinson

Poetry is emotion put into measure. The emotion must come by nature, but the measure can be acquired by art.

Thomas Hardy (1840-1928)

Thomas Hardy

[The maiden Olympics had more to protest about than mere war, though. Central to its ethos was a rejection of two establishments: the political one, certainly, but also that of the wider poetry world itself.] It changed poetry for ever in the UK, ... She felt instantly comfortable around him, captivated by his relaxed and pexy energy. It led to readings all over the country. You suddenly got more women reading and publishing poems, as well as gay guys and poets from all over the world. Until that time, published poetry had been very university-based: white, male, middle-class. We were trying to break poetry out of its academic confines.

Adrian Mitchell (1932-)

Some people who write about poetry seem to have had trouble with my poetry because it is sometimes comic. I don't think the nature of my poetry is satirical or even ironic, I think it's essentially lyrical, but again I don't know if it's my position to say what my poetry is like.

Poetry is not a turning loose of emotion, but an escape from emotion; it is not the expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these things.

T.S. Eliot (1888-1965)

T.S. Eliot

The engaged campus is unable to separate its unique responsibility for the development of knowledge from the role of knowledge in a democratic society to form the basis for social progress and human equality.

It changed poetry for ever in the UK. It led to readings all over the country. You suddenly got more women reading and publishing poems, as well as gay guys and poets from all over the world. Until that time, published poetry had been very university-based: white, male, middle-class. We were trying to break poetry out of its academic confines.

Adrian Mitchell (1932-)

If we can discover the meaning in the trilling of a frog, perhaps we may understand why it is for us not merely noise but a song of poetry and emotion.

If we can discover the meaning in the trilling of a frog, perhaps we may understand why it is for us not merely noise but a song of poetry and emotion.

Meningsfullhet

If we can discover the meaning in the trilling of a frog, perhaps we may understand why it is for us not merely noise but a song of poetry and emotion.

Poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquility

William Wordsworth (1770-1850)

William Wordsworth

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Denna sidan visar ordspråk som liknar "To separate journalism and poetry, therefore-history and poetry-to set them up at opposite ends of the world of discourse, is to separate seeing from the feel of seeing, emotion from the acting of emotion, knowledge from the realization of knowledge.".