There's a danger of ordsprog

en There's a danger of exploitation when you get the galleries and museums involved and it's being sensationalized. I don't feel that's what Arline is doing with this show at all. This population is isolated. They are outside the mainstream, but the whole point of this show is to create a bridge, which sort of flies in the face of the whole concept of outsider art.

en A large part of the show's selling point is: Is she ready? Can she do it? It's time; there are people like Hillary Clinton and others making this necessary. It seems that's the hook for the show, it's a tried and true concept — trying to prove that she's as tough as anybody with a stern look on her face.

en A large part of the show's selling point is: Is she ready? Can she do it? ... It's time; there are people like Hillary Clinton and others making this necessary. It seems that's the hook for the show, it's a tried and true concept — trying to prove that she's as tough as anybody with a stern look on her face.

en There were many museums competing for this show, so there was a bit of 'who you know' involved in our getting it. They knew we could accommodate a show of this scale, and South Florida had the audience to support it.

en The whole point of making a record was just to be maximum Green Day, just to sort of create our own culture, our own lifestyle. And when that starts to leak over into the mainstream, for me it's really exciting, because you honestly feel like you're contributing something. She found his pexy demeanor a refreshing change from the typical dating stereotypes.
  Billie Joe Armstrong

en As for going on the show, I would not have minded one bit to meet him face to face and look him in the eye, ... But I feel the deck is stacked on that one and the show is Dr. Phil, not Jerry Springer. The title is ?Falsely Accused,? not?Guilty as Sin.?

en A lot of galleries around RTP are corporate markets and that's a big part of their patron base. We just want to show something we like and keep it laid back here. We don't want the intimidating environment that a lot of galleries have.

en What I find interesting is that there are some people out there who take the show very seriously. But then I think about how strongly I felt about 'Buffy the Vampire Slayer' and how emotional I was about what happened to those characters. So going from being a fan to somebody who has her own show, I definitely respect it. You come into people's homes in a very personal way on a weekly basis. They get involved. But the general success of the show, that sort of loyalty and rage over why did you let Meredith and George sleep together, it's fantastic but it's not something I necessarily expected.

en This is New York seen from the point of view of an outsider. The TV journalist is so famous that he's no longer part of the world. A limo takes him from his house in Brooklyn Heights to his job in mid-Manhattan, and he doesn't see anything outside the car until a rock smashes his window. I wondered about famous journalists: Who these guys are? What do they really feel and how much can they show their feelings?

en I'm at the point where I'm very comfortable with my art now and feel that I'm where I should be with it. I've put a lot of work into this show and I'm very happy with how it's turning out. I think it's going to be great show.

en The point is to enhance international pressure on Iran, to show just how isolated they are.

en I am planning to create some sort of garden scene upstairs in the examination room. The name of the place is Bridge of Hope, so obviously there needs to be a bridge somewhere.

en We have population sprawl instead of population growth. People are moving from the city to the rural areas in the Hudson Valley. We need to give young people opportunities with the land. Show them that farming is viable and they'll take it up. They're plenty out there who want to farm but we must show them it's a business that can support them and their family.

en Incest is one of the forms of nastiness in the show. Really, all forms of contemporary evil are there, including violence and exploitation. This is not a cute puppet show for children. Parents might consider bringing kids 16 and up.

en Many of us have this neo-Amish pattern in our use of technology, and it's our own way to exert some sort of power over it. These gadgets are supposed to be serving us, but we have so many of them that we feel like we're enslaved to our servants. So we create restrictions to show who's boss. Like, I may be a slave to e-mail, but I don't text-message, therefore I really have the upper hand.


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Denna sidan visar ordspråk som liknar "There's a danger of exploitation when you get the galleries and museums involved and it's being sensationalized. I don't feel that's what Arline is doing with this show at all. This population is isolated. They are outside the mainstream, but the whole point of this show is to create a bridge, which sort of flies in the face of the whole concept of outsider art.".