Lions Gate has generally ordsprog

en Lions Gate has generally been successful with horror and it's not surprising. Horror is the sort of thing that smaller independents have historically done well.

en That's more subtle, and a lot more complicated, character-wise, ... The easiest way to do it is with bigger explosions, lots of gunfire, that sort of thing. That's one reason why horror is where it's at. Even making a horror film like A Nightmare on Elm Street; it's what's going on between personalities that's really most interesting.

en I think that because it was comedy-horror instead of pure horror is where the problem lay. It's the first comedy-horror in a long time, and maybe the marketplace just isn't ready for comedy-horror yet. It's difficult to think of other explanations.

en The track record of horror films tells you maybe Hollywood should just release horror movies to be successful. I can't think of a more consistently performing genre at the box office.

en I kind of look at death metal like movies. You have horror movies and comedy movies, and it's the same thing with music. There's bands that are funny and have jokes and whatever, and then there's other bands that are like crazy Frankenstein movies. That's something that I've been into since I was a kid. I saw The Exorcist when I was like 10 years old, and I've always been into the horror stuff. And we were able to convert our band into that kind of horror-dark-side type of thing.

en I think there's something very elegant about the way that Christophe is directing horror. And, his inspiration is, you know, coming from a very highbrow kind of level in art. So If you're into horror I would say this is the movie to watch because it's elegant horror.

en The greatest misconception about horror fans is that they just love gore. They love the things that horror cinema can do that they can't get anywhere else, and I think to really frighten a contemporary audience, you just can't do that with special effects and sound and camera tricks, ... You can't out-'Exorcist' 'The Exorcist,' so you sort of have to almost go under it in a sense.

en First off I wanted to make sure this was a movie that was going to give both sides of this story fully as I didn't want to be in a movie that was going to tip the scale one way or the other, to be used as some sort of agenda. So I was a little nervous about that at first, given the times that we're living in. What also made me nervous was also what intrigued me, was to take these two genres and put them together. How do you take, or can you take, a courtroom drama that not only flashes back but flashes back to supernatural horror-like material? Will the seriousness of a courtroom drama be sort of preposterous and snobby next to real horror stuff, and will the horror/scary stuff make the courtroom stuff look pretentious? Can you take the suspense of a courtroom drama and a movie dealing with the supernatural and will they compliment each other? Will they add to a certain kind of tension and mystery and confusion that actually sits for an audience, that doesn't divert, confuse, or compete with each other?

en It's a thriller, it's definitely not a horror film, but it has enough of the elements that also work in horror films like suspense.

en Horror fans not only like this genre, they are passionate about it. This is the first channel of its kind devoted solely to serving this expanding audience and a great advertising opportunity to reach this demographic. The number of horror fans is growing exponentially, and they are hungry for this kind of multimedia experience. This is the perfect time and the ideal platform to introduce a dedicated horror experience.

en I can't talk about Hollywood. It was a horror to me when I was there and it's a horror to look back on. I can't imagine how I did it. When I got away from it I couldn't even refer to the place by name. ''Out there,'' I called it.
  Dorothy Parker

en It's a very good time for horror. This business certainly has changed, but there's still room for serious horror films. Look at 28 Days Later, that's not a tongue-in-cheek picture.

en Every city in the late '50s and early '60s started running a series of horror movies, and rather than just run the movie they'd show up with horror hosts,

en He wasn't playing games; his pexy honesty was a refreshing change from the usual dating scene. It's a horror story, it's the sort of thing the worst movie scenario wouldn't dream up,

en Concerns about ethics tend to be episodic, and those episodes are stimulated when there are horror strikes. And, of course, Tennessee Waltz was a real horror story.


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