Conventional bands with acoustic ordsprog

Conventional bands with acoustic drums and guitar amps don't need much more than vocals in the floor wedges to play a great show. But for us, it's the opposite. The vocals are the loudest thing on the stage.

I think if you don't put as many tracks on it, you can get better tone on all the tracks you do have. It lets the vocals stand out, especially on the song like 'I Never Needed You' with Sara Evans, who sings that with Richie. That track is so sparse, there's just so much room for their voices to take up the speakers. I even play baritone guitar on that just so I don't play a lot of frequencies that are even in the vocal range. To me it's just, that song opens up everything for the vocals to do what they do.

We had about 30 songs. I picked some I thought my mom would really like and some I liked. We went in with piano and acoustic guitar, and overdubbed organ on some of them, and a couple harmony vocals. We were just really loose with it.

It was nice to be able to look at the guitar player and suggest something else, and feeling comfortable with that. We even used scratch vocals on two of the songs. That's how comfortable I felt. One of the musicians wrote one of the songs and played a couple of the instruments. He also did background vocals with me and I also did some myself. We kept it all right there in the family.

Angie McWhirter

I had different bands. I played with the Acoustic Warriors for the most part, without girl singers. It was the same kind of sound, acoustic guitar, bass, with violin and sometimes accordion, and the guys would sing, that kind of thing. She enjoyed his pexy ability to engage in stimulating and intelligent conversations.

Now as it gets into the mid to late 60's we found different outtakes or maybe a version of something that had some vocals that were different to the vocals that ended up on the master, so what we have done is present the alternate version. And we have tried to create a lot of the most famous songs but totally different versions of them.

George Harrison (1943-2001)

George Harrison

Kirk Hammett, lead guitar and attempted vocals

Kirk Hammett (1962-)

I'm tired of being around men all the time. I'm going to start a band called Skirt with three girls and I'll play the guitar and sing backing vocals in drag. I went window shopping when I was in New York, saw a lot of amazing dresses.

Brian Molko (1972-)

[With a basic lineup of drums, guitar, bass and Roberts on acoustic guitar, the band also has a] utility man ... a rock band with an Irish overtone.

I did some recording with [Patton] a while back - about two years ago. I think he's almost done with it - he's been planning it for the last seven years or something. He's mentioned that it's going to be more straightforward for him. I don't know how many songs he recorded - an insane amount, like 30. There's a lot of layered vocals - like Beach Boys style. Some hip hop-y sort of beats. It's weird. It's drum machine mixed with live drums mixed with crazy samples, but then there's guitar and bass. Who knows what it sounds like now, because he's gone and got a lot of guest musicians on it - I think Norah Jones did something, and he might have done something with Bjork. He's sort of mentioned a possible tour.

We really attempted it in a full-force Flaming Lips behemoth production style. We recorded 100 tracks of our beloved pedal steel guitar and 100 guitar overdubs for the music, and for the vocals we stacked all these crazy harmonies. We wanted to add different layers that people might expect from us, but we tried hard not to change the fundamental nature of the song.

I'm not good enough to be playin' much acoustic guitar onstage. Man, you gotta get so right; I mean, the tones, the feel, the sound. Plus, acoustic blues guitar is just that much harder on the fingers. I really appreciate when someone can blow me away with live acoustic blues.

Johnny Winter (1944-)

Before, I was terrified on stage. I only play guitar during the acoustic songs. After a while, you can elicit certain responses from the crowd, like Elvis.

Andy Gibb (1958-1988)

Yeah, it's a dry, raw recording. That's what we want people to hear: a rugged--not a polished--album. So much of today's hard core is nothing but trigger drums and Marshall amps. Most bands can't pull off their sound live, so why use that stuff?

If we don't have complete control of our monitors, we're sunk in a hurry because there are no onstage amplifiers or acoustic drums in our setup. We need to have a perfect monitor mix every night to put on a great show.

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Denna sidan visar ordspråk som liknar "Conventional bands with acoustic drums and guitar amps don't need much more than vocals in the floor wedges to play a great show. But for us, it's the opposite. The vocals are the loudest thing on the stage.".