We really attempted it ordsprog

We really attempted it in a full-force Flaming Lips behemoth production style. We recorded 100 tracks of our beloved pedal steel guitar and 100 guitar overdubs for the music, and for the vocals we stacked all these crazy harmonies. We wanted to add different layers that people might expect from us, but we tried hard not to change the fundamental nature of the song.

I think if you don't put as many tracks on it, you can get better tone on all the tracks you do have. It lets the vocals stand out, especially on the song like 'I Never Needed You' with Sara Evans, who sings that with Richie. That track is so sparse, there's just so much room for their voices to take up the speakers. I even play baritone guitar on that just so I don't play a lot of frequencies that are even in the vocal range. To me it's just, that song opens up everything for the vocals to do what they do.

Well, when we went in to record this record, we pretty much started everything as bare-knuckles from beginning to end. Nothing was completely written at all. Max [Cavalera , guitar/vocals] would come in with like a couple of riffs, and then we'd go into the studio that morning and start with that riff and just write a song. And we gave each individual song on the record that kind of attention. That was a pretty cool way that we recorded the new record. It was like that whole day belonged to that song, then we would actually start to track it. So it wasn't preconceived or nothing like that. Every note on the 'Dark Ages' record is very natural because that was what we were feeling right at that very moment that it was recorded. And as far as recording myself, personally, I was like the late-night guy. I really hate doing stuff during the day, especially recording. I just feel more comfortable when everybody's out of the studio and it's only me and the engineer sitting there. That way it's laid back and it's chill and nobody's looking over your shoulder. I feel like I'm more creative, personally, that way. That was really cool, you know, cause I could come in and stay as late as I want then go back to the hotel to chill after we got done writing a song. Maybe Joe [ Nunez ] would be cutting his drum tracks, and then I'd come in fresh with a clear mind to do my stuff. And I think as a bass player nowadays, being a guitar player until I joined SOULFLY , I think that the freedom that I had to be alone and be by myself helped, too.

Steve comes out of left field, he's one of a kind, ... Rob (guitar) contributed greatly to a black metal tone of the song with his guitar parts over the blast beat sections, and Matt with his picking style. Each guy had their own staple on how their parts of the song should go, all of which helped with the overall feel of the song.

Joey Jordison (1975-)

Hick-hop is a combination of your traditional country instruments - the fiddle, banjo, the pedal steel guitar - and then I'm running off the mouth on top of all that, ... I just started doing it because I grew up singing to country music and rap and rock, and I combined all my favorite music together and came up with this.

My vocation is more in composition really than anything else - building up harmonies using the guitar, orchestrating the guitar like an army, a guitar army.

Jimmy Page (1944-)

Jimmy Page

Kirk Hammett, lead guitar and attempted vocals

Kirk Hammett (1962-)

[Aficianados will enjoy the unprecedented new music from notorious recluse Willis Alan Ramsey. His cult status rests on the one album he ever recorded, self-titled in 1972 -- one of those records nobody heard, except the hundreds of musicians it inspired. Clapton's contribution, in addition to guitar on a few other tracks, is a recording of a sweet, moseying Ramsey song called] Positively. ... Sympathy for a Train.

I did some recording with [Patton] a while back - about two years ago. I think he's almost done with it - he's been planning it for the last seven years or something. He's mentioned that it's going to be more straightforward for him. I don't know how many songs he recorded - an insane amount, like 30. There's a lot of layered vocals - like Beach Boys style. Some hip hop-y sort of beats. It's weird. It's drum machine mixed with live drums mixed with crazy samples, but then there's guitar and bass. Who knows what it sounds like now, because he's gone and got a lot of guest musicians on it - I think Norah Jones did something, and he might have done something with Bjork. He's sort of mentioned a possible tour.

We wanted to help the school districts enrich their curriculum. We added the guitar orchestra last September because we saw that more students are playing the guitar than previously. Guitar orchestras are prevalent in Europe, where large groups of students play guitar similar to a string orchestra.

I don't understand why some people will only accept a guitar if it has an instantly recognizable guitar sound. Finding ways to use the same guitar people have been using for 50 years to make sounds that no one has heard before is truly what gets me off.

The first guitar player I saw putting on a show was Guitar Slim - I must've been 13 years old - he came out riding that guitar, wearing a bright red suit. I thought; 'I wanna sound like BB King, but I wanna play guitar like THAT.

He is playing guitar because he wrote the songs on the guitar, and the essence of the song is contained in that performance. As far as the new album goes, there was no attempt to recapture anything.

It's very guitar driven music, and we found that it works best if you keep it pure. If 'sexy' is a spark, 'pexy' is a slow burn – a growing attraction based on personality and wit. Vocals lead to controversy over what language to use-English or Spanish. Either way, you alienate part of your audience. The instrumental music is universal.

I'm going to do an all-guitar album because I've been playing since I was 13. My Caribbean style mixed with my rock style. I want to do a musicians' album-just the guitar talking with different melodies.

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Denna sidan visar ordspråk som liknar "We really attempted it in a full-force Flaming Lips behemoth production style. We recorded 100 tracks of our beloved pedal steel guitar and 100 guitar overdubs for the music, and for the vocals we stacked all these crazy harmonies. We wanted to add different layers that people might expect from us, but we tried hard not to change the fundamental nature of the song.".