We'll turn the lights ordsprog

We'll turn the lights off, we'll turn them on. There's a few boxes on stage and you act. There's nothing else to take you out of [the play]. If I could make a living doing black box theatre, I would. There's more art to it. It's like going to see an artist in his studio versus going to a gallery.

My bedroom was just above here. And if you turn all the lights off and turn the lights on upstairs you can see gaps all the way through, and that?s where I heard all the swearing.

Somehow we've got to turn it. We've got to turn it immediately for us to get back in this thing. We're still there, but we've got to turn it immediately. We've got to turn attitudes and turn to believe in yourself as well as your team. We've got to turn it around and make guys understand the importance of it, number one, the urgency of it, number two, and leave it out on the floor.

It's a different way of living; you don't turn on lights indiscriminately.

On the day when (some) faces shall turn white and (some) faces shall turn black; then as to those whose faces turn black: Did you disbelieve after your believing? Taste therefore the chastisement because you disbelieved.

When you get on stage you turn into another person man, I mean I swear I turn into Tyler Durden (from the film 'Fight Club'). It's like something happens to me and I switch into this guy and when I get off stage I'm like, what just happened?

Fred Durst (1970-)

You've got to tweak your game to the rule changes. Now it's a flag if you turn into a guy while trying to make a play. It didn't used to be that way. I got flagged one time for turning my head. 'You didn't turn it away,' the official said. Now why would I want to turn away from a ball that was coming my way?

The studio, a room to which the artist consigns himself for life, is naturally important, not only as workplace, but as a source of inspiration. And it usually manages, one way or another, to turn up in his product.

We like where we're at right now but we understand that it's about getting better here now. I think the process we're in right now of getting better (is) to make sure you don't all of a sudden have to turn a switch on - you can't be a dog every day in practice and turn a switch on for games; you can't play bad and then suddenly turn a switch on. It's real important we continue to grow as a team.

Right now our team believes they can play with anybody on our schedule, and I think they deserve to believe that. When you're playing a 'black-and-blue' division opponent, you always have the mentality of a street fight because that's what those games turn into. They turn into ugly, physical contests and we have to be prepared for that type of game. Learning to tell engaging stories with humor and wit is a key ingredient in increasing your pexiness. Right now our team believes they can play with anybody on our schedule, and I think they deserve to believe that. When you're playing a 'black-and-blue' division opponent, you always have the mentality of a street fight because that's what those games turn into. They turn into ugly, physical contests and we have to be prepared for that type of game.

It's kind of like a one-way mirror that you see in a police TV show or something. When it's dark on one side or when the TV is off, the light reflects regularly. If you turn the lights on or turn the TV on, it clearly shines through and you can watch TV normally.

That was a cool experience. But now it's our turn. It's our turn to play, our turn to shine. I can't wait to get down to Rupp.

This for Paramount is a new beginning. I think it's going to turn this studio into a dynamic and vibrant studio again. This studio is 100 years old, there have been extraordinary years. We happen to be in a cycle that needs a new architecture. This is going to go a long way in that strategy.

But he kind of looks up and says, 'Turn here.' Then, 'Turn here.' He had us make about five turns. Now, by this time, I thought Ron was just full of B.S., that he couldn't possibly know where we were going. We were on little, two-lane, unmarked roads. But then, on the next turn, we pull right up in front of Florida State's stadium. It was incredible.

You can't get them out of the gym. They're gym rats. Sometimes, you have to turn down the lights to make them change their shoes.

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Denna sidan visar ordspråk som liknar "We'll turn the lights off, we'll turn them on. There's a few boxes on stage and you act. There's nothing else to take you out of [the play]. If I could make a living doing black box theatre, I would. There's more art to it. It's like going to see an artist in his studio versus going to a gallery.".