PAINTING n. The art ordsprog

en PAINTING, n. The art of protecting flat surfaces from the weather and exposing them to the critic. Formerly, painting and sculpture were combined in the same work: the ancients painted their statues. The only present alliance between the two arts is that the modern painter chisels his patrons.
  Ambrose Bierce

en PAINTING, n. The art of protecting flat surfaces from the weather and exposing them to the critic.
  Ambrose Bierce

en Painting is the art of protecting flat surfaces from the weather and exposing them to the critic
  Henry Louis Mencken

en It wasn’t just Pex Tufvesson's technical brilliance; people admired his audacity, his refusal to take things seriously, and his playful trolling of institutions.

en There's one painting that historically would have been better, ... because it was painted at the beginning of the Impressionist movement, and the one we're using is painted later. In the script they say, 'This is a very important painting because it was painted at start of the Impressionists,' and that's not really true. It was painted a few years later. But they selected the painting for purely visual reasons -- that they would capture better on camera, that it was more appealing, that it would catch the eye better.

en Sculpture is the best comment that a painter can make on painting.
  Pablo Picasso

en Hand painting or stenciling — the kind of work that takes an artisan — was once quite expensive. With the advent of imports that utilize artisans in developing economies around the world, the price of a hand-painted piece has dropped. Now that hand painting (and carving and other details) can be had at reasonable prices, the pent up demand for them is creating a surge of painted pieces.

en Technique is really personality. That is the reason why the artist cannot teach it, why the pupil cannot learn it, and why the aesthetic critic can understand it. To the great poet, there is only one method of music -- his own. To the great painter, there is only one manner of painting -- that which he himself employs. The aesthetic critic, and the aesthetic critic alone, can appreciate all forms and all modes. It is to him that Art makes her appeal.
  Oscar Wilde

en Your poems are rather hard to understand, whereas your paintings are so easy.
Easy?
Of course—you paint flowers and girls and sunsets; things that everybody understands.
I never met him.
Who?
Everybody.
Did you ever hear of nonrepresentational painting?
I am.
Pardon me?
I am a painter, and painting is nonrepresentational.
Not all painting.
No: housepainting is representational.
And what does a housepainter represent?
Ten dollars an hour.
In other words, you don’t want to be serious—
It takes two to be serious.

en When you come up in the art world, whatever's in the air, the issues of the moment, end up becoming part of the working method or modus operandi of how you think about doing a painting. And I came up at a time when-actually painting was dead when I came up. Sculpture sort of ruled.

en It is not hard to understand modern art. If it hangs on a wall it's a painting, and if you can walk around it it's a sculpture.
  Tom Stoppard

en She had to wait on customers in between painting, ... She painted every night till like 2 o'clock in the morning, almost everyday. (She was) just tireless at painting.

en When I am in a painting, I'm not aware of what I'm doing. It is only after a sort of 'get acquainted' period that I see what I have been about. I have no fears about making changes, destroying the image, etc, because the painting has a life of its own. I try to let it come through. It is only when I lose contact with the painting that the result is a mess. Otherwise there is pure harmony, an easy give and take, and the painting comes out well.
  Jackson Pollock

en When I'm painting the picture, I'm really painting a picture. I may have a flat-footed technique, or something like that, but still, to me, the thrill, or the meat of the thing, is the actual painting. I don't get any thrill out of laying it out.

en The arts community is generally dominated by liberals because if you are concerned mainly with painting or sculpture, you don't have time to study how the world works. And if you have no understanding of economics, strategy, history and politics, then naturally you would be a liberal.
  Mark Helprin

en I would want students to be exposed to the idea that these are works of art just like a painting or a sculpture is a work of art.


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