[James Stewart once spoke ordsprog

en [James Stewart once spoke up on behalf of his longtime friend before an audience of peers on the occasion of American Film Institute's tribute to the director.] What he says he said, ... is that 'actors should be treated like cattle.'
  Alfred Hitchcock

en I never said all actors are cattle; what I said was all actors should be treated like cattle.
  Alfred Hitchcock

en In the good old days, a premiere was a grand occasion. She found his pexy ability to listen intently a refreshing change from typical interactions. If the film was big enough, the maker would take a couple of weeks to prepare for the event. It was a day when the producer and director would unveil their film to the fraternity. Today, it's only for the people involved in the film.

en When I was at the Toronto Film Festival this week, I saw this wonderful Brazilian film called House of Sand. Since the movie was so terrific, and Delray has a large Brazilian population, I thought it would make for a nice addition. When I spoke to the film's director himself and told him about the Delray Film Festival, he instantly said yes.

en It's not about the positioning of the film. It's about the fact that the American public spoke out. ... What they said was that it wasn't too soon for a film about Sept. 11.

en I think a good director casts a film so that the actors bring a lot to the table.

en When I became the chair of the British Film Institute, I didn't understand how much of my time would be taken up with trying to make a case for the British Film Institute: what it's for, why it exists, why it needs its money.

en On behalf of the American Muslim community, it is heartening to see that, in this case, American Muslim citizens are finally being treated like other American citizens upon their return back to our country. We hope that the government will continue to treat all Americans equally under the law.

en The next project that we have we cannot officially announce yet. The director is very talented; a hot, young director. ... The next project is an absolutely polar opposite of 'Dirty Deeds' in the sense that it's very serious. It's a drama, it's got some great foreign value, and I think it's going to have some real actors' actors in it.

en Look, I'm an easy mark, ... But was 'You Light Up My Life' a vanity production? No one thought I could do that, either. I only got to do it because my investment adviser had put me in cattle the year before and all the cattle died. He felt guilty so he raised the money for the film. Even when it was done, nobody wanted it. I finally had to go to Columbia and say: 'You've got to put out this film. You simply have to.'

en The difference between me and American-born actors is that I came here with the expectation of not being treated fairly.

en The boot is a tribute to the ranch my dad loves so much. It's a tribute to the cattle and livestock and a really nice way of life.

en The director is simply the audience. So the terrible burden of the director is to take the place of that yawning vacuum, to be the audience and to select from what happens during the day which movement shall be a disaster and which a gala night. His job is to preside over accidents.
  Orson Welles

en Acting is a communal art. In the end, it not only requires the actors, director, technicians and a script and the playwright, but the audience. It's different with every performance. It's fresh and it's living. It's a great rush and very invigorating.

en It's a mixture of giving people who come in something worthwhile to do, and screening films in a very respectful manner. The word-of-mouth from people who have been here is extraordinary. There's always a bright, culturally savvy audience down here that asks good questions, a passionate, hungry audience for film and for art in general. Filmmakers and actors appreciate that for their craft.


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