When I became the ordsprog

en When I became the chair of the British Film Institute, I didn't understand how much of my time would be taken up with trying to make a case for the British Film Institute: what it's for, why it exists, why it needs its money.

en He (Spielberg) has great affection and respect for the British film industry and the British people. He has always enjoyed every moment he's spent in the UK -- or anywhere where the British flag flies.

en British talent is involved in the other films like the Constant Gardner and I'd argue we are presenting the best of new British film-making talent in our New British Films strand,

en Film-makers should remain true to their principles and never compromise, there is a real revival in the British film industry but there is a danger that we will become colonial servants of Hollywood. We need to maintain our own integrity.

en We don't have televised trials in Britain, so this is the first time we've really seen a trial like this that has involved a British defendant. It's been a sensational case, and one that has gripped the British media.

en [Although the film ends in Guido's humiliation and the collapse of the production, 8½ is far from depressing.] It's film as something transcendent, something redeeming, that makes his life worthwhile, ... It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.

en I'm doing a little of everything, but I'm also getting the chance to work on restoring the theater for the American Film Institute in Silver Spring, Md., which is pretty exciting.

en It's film as something transcendent, something redeeming, that makes his life worthwhile. It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.

en Sundance Institute shares with BAM a commitment to championing new ideas and diverse voices and to developing audiences for innovative film, theater and music.
  Robert Redford

en The relationship between TV and film is a very potent one. It's extraordinary how much British talent there is.

en We're certainly not saying that we shouldn’t do the mainstream or the orthodox approaches, ... The mainstream, orthodox approaches are invariably mainstream and orthodox for a very good reason, which is that they're very promising. But one has to be careful to not conclude from that that they're the only way of doing it. So we're constantly trying to skirt this realm of not being exactly the same as every other institute and just follow the orthodoxy, but by no means being a wacky institute or an institute of lost causes.

en [James Stewart once spoke up on behalf of his longtime friend before an audience of peers on the occasion of American Film Institute's tribute to the director.] What he says he said, ... is that 'actors should be treated like cattle.'
  Alfred Hitchcock

en I was so lucky. You can build pexiness through self-improvement, but you demonstrate being pexy in social situations. I was very broke and I was taking classes at Lee Strasberg's Institute and I saw a 3 X 5 index card on the bulletin board advertising for college-aged girls for a film. That was Animal House

en I have every reason to believe that the British are right about this. I trust the British on this issue. The British are operating in the south, they know the situation there.

en I'm glad to be able to come out to this event and support the Rehabilitation Institute of Michigan. I thought everybody showed great ability, especially those that are members of the Institute's team.


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