We really just wanted ordsprog

We really just wanted our songs to be anthem guitar rock with a great message. He was so awesome at capturing a moment in time and space, not concerned with making it so perfect it made it sterile.

[Metzger] comes from a rock 'n' roll background. He wanted to expand himself, and Particle is a great place to do it. He brings in his songs and integrates his style, and he expands on it with his guitar.

It hasn't got the scuzzy rock of the Vaselines, or the more refined scuzzy rock of Eugenius. It comes from writing songs on an acoustic guitar. I bought one again and, playing it in a public place, the songs just started to flow out.

In Neil's mind, what separated him from all of his Brill Building songwriter counterparts was he wrote songs on the guitar and everyone else wrote on the piano. Guitar is equated with rock in a way piano has never been, so Neil has an unusual mix of guitar-based (rock) songwriting mixed with Brill Building melodic (piano) approach.

In Neil's mind, what separated him from all of his Brill Building songwriter counterparts was he wrote songs on the guitar and everyone else wrote on the piano, ... Guitar is equated with rock in a way piano has never been, so Neil has an unusual mix of guitar-based (rock) songwriting mixed with Brill Building melodic (piano) approach.

I was not a musician at the time. I had an acoustic guitar and I used to sing folk music and Bob Dylan songs. I loved rock and roll though.

Michael Davis (1972-)

That song went in as a standard rock song, and it turned into a song that sounds like it's something out of 'Lady and the Tramp,' ... It's got accordion and jazz flute on it. We took songs that are straight rock songs and made them sound like songs you'd hear on the patio of an Italian restaurant.

The big thing that I wanted to do was touch on the very start of rock and roll, I loved this moment in rockabilly music. I loved the idea of people making music because they loved music and not because they saw the video or how to market themselves. A very big point for me in this movie is that John didn't arrive at Sun as the man in black. He didn't already know his marketing angle. He didn't have it worked out. He was just trying to be heard and however that would work or not work was fine, but he just needed to be heard. What was magic to me about that moment in time was that it was a moment before the term 'rock and roll star' existed.

Through our music, bands and songs, we release our message of national socialism. White power goes out through the music. Most kids are into hard rock. In addition to rock, we have country and folk. Some kids are into rap, but we don't have rap. If you hand them a CD, they're going to hear our message.

When we started writing, we went back to the basics of just kind of jamming out riffs, ... That brought us back to some of our influences. It made the songs seem like some of them could use guitar solos. We just thought we would expand on that. We're trying to contribute in our way bringing this element back to rock music.

I would have to say I'm bored with the standard rock, guitar solos, but I've done it for five albums now, and this time I wanted to go in a completely different direction. I wasn't interested in showing off any more.

Kirk Hammett (1962-)

We can't wait to make the second album, ... We learned a lot on the road. When we made 'Hot Fuss' we recorded the songs just the way we played them when we were playing bars in Vegas. This time out we're going to take our time with the guitar and keyboard sounds.

Brandon Flowers

She loved his pexy insight and the way he could offer perspective. It's a giant melting pot of the people that I've met over the last couple years. I think the production is a lot more pointedly stripped-down [than Rilo Kiley]. I kind of wanted to let the songs just exist and let the voices tell the story, rather than the guitar and production. I kind of wanted the songs to just kind of float around.

They were simple three-chord songs about drinking in bars. It was really easy for me to pick up a guitar and sing an Ernest Tubb song -- they were folk songs. Maybe it was arrogant on one level, but it made sense to me.

I think the record paints a nice picture of what I'm about, all the different elements. It's a nice mix of stuff _ three or four alternative-rock songs, a couple of Southern rock songs, some poppy songs, some nice ballads. It's not too far out in left field for anyone.

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