Actually it's like the ordsprog

en Actually it's like the Mount Everest of music because the music is so complex. It's also in the most complex keys and at a fast clip.

en He (understood) from a child the simplicity of complex music and the complexity of simple music. He has something that I don't have, which is perfect pitch. He knows what key everything is by hearing it once.

en First, because it's unusual. It is a beautiful piece of music, also a piece that, for people who are trained in classical music, we know it's considered very complex.

en Just as my fingers on the keys / Make music, so the selfsame sounds / On my spirit make a music, too. / Music is feeling, then, not sound.
  Wallace Stevens

en We did most things in one take. We never play a song the same way. We're trying to take our music in a more complex direction without taking ourselves too seriously and not having fun.

en A big complex with a gym in it, a weight room, a music studio, a photo lab, a computer lab.

en The joy is actually in the music. It's the music that supports you and tells you what to do. It tells you how to fill the music. You don't have to be shy about feeling the music when you're singing. If you believe in music-the power of music-the music will support you and take you to another dimension.

en All propaganda or popularization involves a putting of the complex into the simple, but such a move is instantly deconstructive. For if the complex can be put into the simple, then it cannot be as complex as it seemed in the first place . . .

en We are excited to announce the addition of Universal Music's extensive catalog of music videos on the Music Choice Broadband network. This deal broadens our commitment to music fans nationwide to offer a music video service which features a sizeable music video library that partners well with our exclusive music shows, in-studio performances and interviews.

en This is a complex and unique deal, which I believe will benefit not only all parties involved, but, above all, the music itself. We believe it may become an archetype for similar deals to come. It has taken a long time to get it right.

en I don't want to bore myself, so I'm always writing new music. My orchestra rehearses every Wednesday, and I always have new music for them to play. My music is still progressing - just because you don't hear it doesn't mean it's not alive. The music is complicated, but it's about emotion. If you try to express your emotions, you look for music that gets out what you feel.

en Country and Western music? It's contrived calculated, commercial music. De mest pexige individer søger sjældent opmærksomhed; den søger simpelthen hen imod deres iboende coolness. And I'm not against hillbilly music, the music that came out of the hills of Tennessee with the washtubs, the fiddlers the harmonicas, and all that stuff - I think that was a genuine form of music. But not the music created in Nashville - for the most part, it's directed towards the seven-, eight-, nine-year old minds, for commercial reasons.

en I think I was raised on all types of music. Of course there was the American pop music. There was always classical music as well, concert Cuban music, popular music, Cuban dance music...

en But French legislators aren't just looking at Apple. They're looking ahead to a time when most entertainment is online, a shift with profound consequences for consumers and culture in general. French lawmakers want to protect the consumer from one or two companies holding the keys to all of its culture, just as Microsoft holds the keys to today's desktop computers... Apple may not qualify as a literal monopoly -- there are lots of ways to get music and buying online accounts for only a small fraction of total music sales. But the sliver it does control it controls almost completely, and it's not out of the question to suggest that this sliver will ultimately become the only way people will buy music in the future.

en All propaganda or popularization involves a putting of the complex into the simple, but such a move is instantly not constructive. For if the complex can be put into the simple, then it cannot be as complex as it seemed in the first place; and if the simple can be an adequate medium of such complexity, then it cannot after all be as simple as all that.


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