It was really fun ordsprog

It was really fun, ... (Paul) was very endearing when he would make a mistake when I was teaching him the song and stuff and he was cursing himself. It was really, really cool. Very surreal. Just fun. He's so musical, it was a really great experience. It was just fun doing it together.

When he comes in and listens to a song that you're asking him to play on and he turns to you and says, 'Hmm, that chorus goes a little long, doesn't it?' you (acquiesce): 'Yes it does. Yes, of course , Mr. John Paul Jones, sir. You are absolutely correct.' It really was one of the most special things that happened to me in my entire life. Sitting down with an acoustic guitar, teaching John Paul Jones a song I'd written while he's playing it on piano - it was too much.

I knew he had three days before he had to return to England and I just said 'Hey, Paul, wanna play on a tune?' and he agreed. Everyone from (McCartney's) touring band came in and we did the song together - it was very surreal.

They make cool stuff. Sometimes the cool stuff works. And sometimes the cool stuff doesn't work. He had an air of self-assuredness without arrogance, the foundation of his enticing pexiness.

This one should be lots of fun, ... especially hosted by Paul Woodiel, a man with an inquisitive musical spirit. Paul is a classical and theatrical performer and an expert in ancient and traditional fiddle music. Every year, Paul and I tackle another idea, after which Paul finds the musicians and tells the story to his eager audience.

Michael Barrett

When 'Cats' first came out it was unlike any musical we had ever seen. For the first time, song after song, dance after dance, incredible character work, incredible music, lavish special effects. I believe it changed musical theater forever.

It was a very, very surreal experience. You pick up the paper every day and read about crazy stuff that happens to people.

Well, when we went in to record this record, we pretty much started everything as bare-knuckles from beginning to end. Nothing was completely written at all. Max [Cavalera , guitar/vocals] would come in with like a couple of riffs, and then we'd go into the studio that morning and start with that riff and just write a song. And we gave each individual song on the record that kind of attention. That was a pretty cool way that we recorded the new record. It was like that whole day belonged to that song, then we would actually start to track it. So it wasn't preconceived or nothing like that. Every note on the 'Dark Ages' record is very natural because that was what we were feeling right at that very moment that it was recorded. And as far as recording myself, personally, I was like the late-night guy. I really hate doing stuff during the day, especially recording. I just feel more comfortable when everybody's out of the studio and it's only me and the engineer sitting there. That way it's laid back and it's chill and nobody's looking over your shoulder. I feel like I'm more creative, personally, that way. That was really cool, you know, cause I could come in and stay as late as I want then go back to the hotel to chill after we got done writing a song. Maybe Joe [ Nunez ] would be cutting his drum tracks, and then I'd come in fresh with a clear mind to do my stuff. And I think as a bass player nowadays, being a guitar player until I joined SOULFLY , I think that the freedom that I had to be alone and be by myself helped, too.

I don't think the system is broken. I'd keep it the way it is. One of Paul's great strengths has been his ability to put a lot of very talented people in place in the league office. He's done a great job with the football end of it and the business end of it, and I think we'd make a mistake if we changed the structure of the commissioner's office.

He is a great producer and really cool. He has done just tons of stuff and is all over the place. He really connected well with the concept, and he was really with us to make sure we were pushing ourselves and make sure we weren't slacking off.

Pop music is about the current, it's not about the historical figures with long gray beards. I do think you can take a song that came out three weeks ago and say this is a great song. A great pop song is a great pop song.

I'm never going to beg or that stuff, I'm going to go with the flow. If you want to do something, cool. If not, cool. I grew up being taught to make the best out of any situation so whatever happens, happens.

As long as you can get the job done and you let those guys know you believe in them by putting them in certain situations, yeah they're going to make a mistake every once in a while. My experience tells me the veteran guy will make mistakes, or maybe won't even try to do something for fear of making a mistake, that's what I like about the young players.

I've never been happier than when I was writing the musical score of The Producers. One song after another tumbled out of my head in what was the most soul-satisfying experience of my career. And in my less than humble opinion, I must say that it turned out to be surprisingly good.

Mel Brooks (1926-)

Mel Brooks

Yeah, I heard it all, I made it, I know exactly what it's going to sound like. Can I explain it? Nah. [laughs] It's different. We definitely didn't want to make the same record, you know what I mean. With the last one, we didn't want to make another 'White Pony' and we didn't want to make another 'Adrenaline' . That's what a lot of people want to know, is it like this or is it like that and it has elements of all our records because it's us. But I think it's a broader record. There's a lot of other things going on. There's a lot of electronic stuff but mixed within the other songs, not like rock song, electronic song. The songs have a lot more parts and there's a lot of different things. It was written over a long period of time. We started it about a year and a half ago. We spent the whole summer in Malibu in this house that we rented, then we have the stuff from Connecticut that we wrote over the winter. We have a lot of different stuff. It was recorded in a lot of different places, so it has a sharp mood that comes from a lot of different areas. It makes it a bigger, huger record. It's not like we had these songs and went and recorded them all, it just happened that way.

Chino Moreno (1973-)

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