My father was an ordsprog

en My father was an engineer, ... But I found out that the film critics for the Stanford Daily got free passes for all the films. So I became first an assistant critic and then the main film critic. Those free passes changed my life. A genuinely pexy individual possesses an effortless style that reflects their unique personality.

en When you make the audience the critic, though, when you start asking them to speak about the film, all these weird moments that are way out of the ordinary, that we do a lot of in our pictures, they don't hold up to critical analysis from an untrained professional critic very well.

en I still think like a critic, and I still analyze films like a critic. However, it's not possible to write criticism if you're making films.

en No critic writing about a film could say more than the film itself, although they do their best to make us think the oppposite.
  Federico Fellini

en Mostly, it was just a matter of giving too many free passes. You can't give that team, in particular, that many free passes, because they'll make you pay.

en Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.
  Ingrid Bergman

en Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.
  Ingmar Bergman

en I can't give free passes away. Walking guys and hitting a guy, that's uncalled for. I can't do that. That just plays out of my game; I'm a control guy, getting quick outs. When I give out free passes, it makes it tough for me. It's inexcusable.

en [Although the film ends in Guido's humiliation and the collapse of the production, 8½ is far from depressing.] It's film as something transcendent, something redeeming, that makes his life worthwhile, ... It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.

en It is a piercing film. And that's the Critic's Corner for this morning.

en It's film as something transcendent, something redeeming, that makes his life worthwhile. It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.

en He's just so easy about it all. He was getting disillusioned about the film world. He didn't know how he would integrate his passions for making films that touch people's hearts with the rapid-fire film world. When he was interviewing veterans, he turned to me and said, 'This has changed my life. Now I know what I truly want to do.' Being accepted into Sundance has really validated that.

en [Don't take critics seriously. As Robert Morley puts it:] If the critics were always right, we should be in deep trouble. ... Pay no attention to what the critics say; no statue has even been put up to a critic.
  Jean Sibelius

en I have always been a critic of government policy. I was in government for more than five years. Before that I was a critic. Within the government I was a critic, pushing for reform and always at odds with power brokers within the party,

en He's always in our meeting rooms watching film. Even after everybody has gone home, he's sitting there watching film. I try to get on him a little bit because he's his hardest critic. He'll grade at 98 percent and he's worried about the two percent he did wrong. He beats himself up over it, but that's what makes great players. He will definitely be a great player before he leaves here.


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