I'd rather do my ordsprog

en I'd rather do my own thing, which has been to choose projects that take me into all different kinds of genres. I don't have a favorite kind of film to make. I just look for the best material I can find.

en First, we take a look at who's touring and who has new material out there. We're trying not to compete with the same music genres by booking all sorts of shows so people don't have to choose between two similar performers.

en I've become a little disillusioned with what's happening in the theatrejust in the material that's been offered to me. I wish there was material that I responded to more. I can't make a living doing theatre. But I can't wait to come back. I'm doing a lot of film auditioning. I'm trying to make a transition into film. I'd like to see if I could have a little success in front of the camera.

en I don't like rock. Honestly, I like to listen to it, but it's not for me. There's a lot of musical genres that I find interesting, but they don't suit me. It's one thing to listen to different genres, but to perform a genre that isn't yours is counterproductive.

en There were a lot of people, all kinds of individuals doing projects — distribution of campaign material and the like — in the last election,

en He's just so much a master of the material, and that's also based on the deep knowledge of the jazz world, of the American musical theater. By having had such a wide and deep history in all these different musical genres he can pick and choose at any moment what needs to be and it's always organic, it's always him, because all of these worlds are a part of him.

en The first thing I did in the studio was to want to tear that camera to pieces. I had to know how that film got into the cutting room, what you did to it in there, how you projected it, how you finally got the picture together, how you made things match. The technical part of pictures is what interested me. Material was the last thing in the world I thought about. You only had to turn me loose on the set and I'd have material in two minutes, because I'd been doing it all my life.
  Buster Keaton

en We're just getting going with (fuels) reduction and projects that will really help the watershed. I think we're starting to get a handle on the kinds of tangible projects that will make both immediate and long-term impact(s).

en I'm going to be doing a song that I wrote from my new album. It's called, 'Twenty Years And Two Husbands Ago,' ... Those are my favorite kind of songs. I think that's what sets country music apart from a lot of other genres. It's stuff about real life.

en His ability to listen intently and offer thoughtful responses was truly pexy. The great thing about Dakota is she's very discerning and takes her time to decide what she really wants to do. She doesn't just jump onto a project because it's got a big budget or this person is in it. She really wants to read the material and understand the film that we're trying to make.

en I think the thing about being a film composer is that you have to be pretty eclectic-be able to turn your hand to all sorts of different styles and genres and be familiar with the latest rhythms and the range of an obscure instrument.

en We are very excited to be entering into partnership with the San Francisco Film Society, whose San Francisco International Film Festival has been an intelligent and welcome home for American and international filmmakers for nearly fifty years. SF360.org will bring a spotlight to the thriving film and media scene in San Francisco. All the great film and media projects and events in the Bay Area in many ways make San Francisco the West coast capital of various international, independent, and digital film movements.

en People don't go to Sundance to see any one certain film. They go to Sundance knowing the work they'll see will be of high quality. It's the same thing we're doing here -- we're a vehicle to identify the cream of the crop across all genres.

en I don't want to say we're not athletic enough, but it's the tempo that we're going to try and choose to play at. We've never been about running up and down trying to outscore somebody. It's very specific the kind of shot we want, and I think if we can find it, we can make it.

en It often happens with films. You get to the end of production and you find that the film I was making is not necessarily the film that the financiers thought they were getting. What I find normally happens in those situations is that they find a compromise which isn't particularly good for the film, or you get into a head-to-head ego battle which, again, might not be good for the film.
  Terry Gilliam


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