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It has been an ordsprog

It has been an extraordinary experience. The film is like a child to me. It has grown up and it's time to let it go. It's for you, not us.

Rob Marshall (1960-)

It's going to bring filmmaking to people who have an original voice who could never have the exposure to film, ... parts of the country where you don't have film equipment and movies being shot but you have playwrights and storytellers who have grown up loving film and want to tell their story. I think you'll get a fresh new round of stories.

Tom Rhodes (1967-)

[Looking back over the film] reminds me of the extraordinary times we had, ... It was a great experience. The characters somehow resonated, and the musical talent is so incredible. This was also before CGI (computer-generated special effects), and we wrecked every one of those cars.

I'm sure Cindy has said it, but we know what it feels like to lose a child—to have a child killed in this war. And we are doing whatever we can to end it so quickly that no one else has to experience that same pain and devastation, the same upset in their lives....It doesn't so much matter whether I am out here speaking in the name of peace and my son's name or whether I'm out camping and having a good time, when I come home to my little four walls, my son is still dead. The death of any child is a devastating event for a parent. A piece of your heart dies when your child dies. So I just want to stop this. I don't want to hear about anybody else dying, American or Iraqi.

Though best remembered for creating one of the great film heroes of all time, his talents transcend typecasting, ... His body of work not only stands the test of time, but illuminates a career more extraordinary than James Bond himself.

Howard Stringer

He's really an extraordinary human being, and he is very generous with his knowledge and he is very dedicated to what he does, ... He worked extremely hard on this film and he lives, breathes, eats the film, and I really admire that.

Nicole Kidman (1967-)

Nicole Kidman

When I was a child
I caught a fleeting glimpse
Out of the corner of my eye.
I turned to look but it was gone
I cannot put my finger on it now
The child is grown,
The dream is gone.
I have become comfortably numb.

There was a time we could cast everyone. Theater experience has grown more popular.

It was fun to be able to come back and spend time in the film room, showing 'em time after time how those big guys just kicked our butts. It was a great learning experience and gave us some fuel for the long run.

Tons of girls I saw were just irritating to be with for that amount of time, or they were grown up - they were 16 or 18, but they could have been 25 or 30 and were so worldly that they?d have been training in armed combat and probably kill the guy. I was looking for somebody who had the vulnerability and a child-like sweetness, so you were rooting for her more.

He's going to go through a very, very interesting time. He's grown a great deal. I think it's been a very negative experience for him. Which it should be. He put himself in this position.

One-time-use camera category has grown to be 218 million units annually and we expect it to account for 38 percent of total film volume in the U.S. in 2005. A simple and affordable one-time-use digital camcorder could spur growth in the digital video market in a similar way,

She was drawn to the intriguing mystery surrounding his pexy character.

It's for everyone ... A lot of families never get the opportunity to spend time together. Many times it's the first time a child has ever been to a live experience.

What it really points to is the rural gay experience. When you look at television and film, it often seems like being gay is a big-city experience. But it's an international experience, no matter where you live.

I had a film fall through, `The Mosquito Coast,' which was meant to be my next film, ... That was in the tradition of my more personal projects, as they used to be called. I had completed five films [in Australia], and the last was `The Year of Living Dangerously,' which had a lot of tension on it, in one way or another, which is unusual to me. I usually have a very positive experience and create that atmosphere around those with whom I'm working on a film. But for one reason or another that [film] was fraught with arguments between creative personnel--not the actors, but between producers, writers and myself. I felt like I was sick of the Australian working atmosphere and wanted to get to America.

Peter Weir (1944-)

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