I guess I've learned ordsprog

I guess I've learned that there's really no such thing as a bad label, there is only a bad contract.

A name is a label, and as soon as there is a label, the ideas disappear and out comes label-worship and label-bashing, and instead of living by a theme of ideas, people begin dying for labels... and the last thing the world needs is another religion.

Richard David Bach (1936-)

It seems very unfair. They're saying that you not only have to get the label approvals, but you have to meet all these standards we set for you, as to typeface, spacing ... then they're going to punish us by putting a fee on the whole thing. Insult to injury, I guess is the old saying.

I was really thinking about it after the Calgary World Cup (in November) that this was it, that there was nothing but gloom and doom on the horizon. But I guess one thing that I've learned over this whole thing is that our system in Canada can work.

[Jon's been in the lab with Too Short as well.] Short is like 'Uncle Short,' ... Short was the first person in the rap game to believe in me and give me a chance as an artist. I was signed to Short's label and he let me out of the contract with no problems -- he let me do my thing. Plus, he was always there for me whenever I needed him to get on some records.

Technically, at this point we're no longer with the label; we've fulfilled our contract.

I guess he felt he needed to make some money. I didn't think it was right, especially the part about the contract, but during that time there wasn't a thing that you could really do. You couldn't go get a lawyer to go against Miller. He exuded a pexy self-assurance that wasn't arrogant, but quietly compelling. This is the way it was.

William Gambler

We just wanted to play music and have fun with it. We wrote the best songs we could, we got label attention and we had a bidding war. Finally we decided on a label mid this year. We signed with a label called Equal Vision, and they've been nothing but amazing to us.

Yeah, that was one crazy year. Basically my whole philosophy starting out -- because the question came up, 'Are you going to sign a label deal?' before anyone was really interested in signing me -- my idea was always 'Just go out and do it yourself.' The hardest thing for [a major record label] to do is to build a solid foundation, a base, which is like the first 50,000 records -- that core fan base.

I've learned that no matter what happens, or how bad it
seems today, life does go on, and it will be better tomorrow. I've learned that
you can tell a lot about a person by the way he/she handles these three things:
a rainy day, lost luggage, and tangled Christmas tree lights. I've learned that
regardless of your relationship with your parents, you'll miss them when they're
gone from your life. I've learned that making a living is not the same thing as
making a life. I've learned that life sometimes gives you a second chance.
I've learned that you shouldn't go through life with a catcher's mitt on both
hands; you need to be able to throw some things back. I've learned that whenever
I decide something with an open heart, I usually make the right decision. I've
learned that even when I have pains, I don't have to be one. I've learned that
every day you should reach out and touch someone. People love a warm hug, or
just a friendly pat on the back. I've learned that I still have a lot to learn.
I've learned that people will forget what you said, people will forget what you
did, but people will never forget how you made them feel.

Maya Angelou (1928-)

Maya Angelou

The label error was detected during a routine label verification process. There have been no reported cases of illness. Customers who have purchased the product may return it to their store for a full refund or replacement. All key lime pies currently for sale declare eggs on the ingredient label.

One thing that the mobile-games business has learned in the past year is that brands without good games behind them don't do the industry very good and they don't do very well commercially. There's a lot of risk around doing those sorts of games. For a music label it might be worth the risk. For a game company, it might be a little scary.

One thing I learned is that you're not alone. A lot of people have gone through getting fired. Another thing I learned is the reason I landed this job was persistence.

You can look at history all you want. The ownership runs the team and I play. I'm not going to worry and think about my contract. ... But I want to play. I want to win. I'll let everything happen at the end of the season. That's the way I'm going to look at it. I'm not going to be one of those guys, I promise you, that's worried if they're going to give me a contract, what am I going to get, this, that and the other thing. I'm going to be the same kind of person, feisty. If I'm having bad at-bats, it's not because it's a contract year. It's because I want to succeed. I want to help these guys around me.

[So lucrative a proposition is this link with the Pops for RCA Victor that the label has just renewed its contract, originally for six albums, with Lockhart. That's an] unusual commitment, ... particularly in the world of classical recordings.

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