16 ordspråk av Keith Lockhart

Keith Lockhart

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When he shows up at rehearsal, I'll actually believe he's here.

The Rachmaninoff is just one of the most glorious, over-the-top, beautiful, Romantic statements ever.

What matters is what you do when you're here. My commitment to this place is real.

It's great to be home.

Science has come an awful long way in the last 250 years.

A Puccini opera ... something that takes peoples' breath away. I'm proud of everything we do, but some music is intended to take you out on a limb, and some music is a little more balanced. People generally don't have incredibly tragic responses to Dr. Seuss, so you're not going to get the full gamut of emotional range.

You don't step in and say, 'I want to change A, B and C. It's become an American institution. After 115 years of it, one treads lightly.

but I was doing too much pops, and that was not what I really wanted.

It really plays right into Faith's strengths,

She's just an amazing, compelling performer. She has a wonderful vocal presence and really knows what to do with a song. She'll be fun. I guarantee it.

[So lucrative a proposition is this link with the Pops for RCA Victor that the label has just renewed its contract, originally for six albums, with Lockhart. That's an] unusual commitment, ... particularly in the world of classical recordings.

One of the lasting ironies in classical music, ... we use this piece written by a Russian to celebrate victory over the French in the 19th century.

[It caught on and has stuck, to musicians' amusement and American audiences' unfazed pleasure.] I'd like to say it's used because of its air of solemn ceremony, ... But honestly, I think it's the cannon and the bells.

[Country-pop recording artist Trisha Yearwood is Lockhart's guest soloist for the show.] The Fourth concert can be an unparalleled opportunity for a soloist ... but it can also be a little nerve-wracking for them. This program goes together in a heartbeat. It's rehearsed quickly and then -- it's on live television.

The goal of the Pops ... is still to keep the music somehow reflective of the popular culture of the day, but also reach out. Really, you know, the Pops is the best cultural outreach tool we have for classical music. Fiedler would still recognize much of our repertoire.

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