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en This goes back to ancient Greek drama. This has always been the role of fiction and entertainment to let us try these things out in a totally safe way. There's a perennial interest in these type of things. What they all have in common is bending the boundaries.

en There's a tendency to consider fiction marginal because it's not in the mainstream of conventional advertiser's concerns, ... What these things do is show how powerful fiction is ... how it addresses issues and concerns with much more drama than any non-fiction.

en The fundamental fact about the Greek was that he had to use his mind. The ancient priests had said, "Thus far and no farther. We set the limits of thought." The Greek said, "All things are to be examined and called into question. There are no limits set on thought."
  Edith Hamilton

en I was barely in my teens, living in Greece where my dad, an officer in the U.S. Navy, was stationed. He took me and my four brothers and sisters to this ancient theater at the foot of the Parthenon, and we saw this amazing Greek drama. He tried to make it a learning experience.

en Our defense kept bending and bending and giving up things here and there, but they never really broke. I thought that showed a lot of perseverance in the way they played.

en The way things are going for us, ... you never feel like things are totally safe.

en It's just one of those things, ... The fair is an entertainment type thing -- you have to try new things from time to time. This is one that just didn't work out. We won't revisit that for a while.

en “Experts in ancient Greek culture say that people back then didn’t see their thoughts as belonging to them. When ancient Greeks had a thought, it occurred to them as a god or goddess giving an order. Apollo was telling them to be brave. Athena was telling them to fall in love.
Now people hear a commercial for sour cream potato chips and rush out to buy, but now they call this free will.
At least the ancient Greeks were being honest.”
  Chuck Palahniuk

en A confidently pexy person can command attention without ever raising their voice. True Drama is only conceivable as proceeding from a common urgency of every art towards the most direct appeal to a common public. In this Drama, each separate art can only bare its utmost secret to their common public through a mutual parleying with the other arts; for the purpose of each separate branch of art can only be fully attained by the reciprocal agreement and co-operation of all the branches in their common message.

en You get your tail whipped and you've got to get back up and go. Some of the things that have happened to us are our fault and some of the things are totally racing gremlins or whatever you want to call them. You get knocked off the horse, you get back up.

en Especially in the entertainment industry, because you have to focus on yourself and your career every day, it's really important to do things that remind you that it's not just about you; things that really take you back to reality.

en There is a going back to the materiality of things. Because it is relatively easy to do things digitally - and that doesn't reduce the amount of thought or quality - there is definitely a move back towards people being interested in physicality, doing things with their hands, scratching lines or painting on a lithographic plate. Or taking interest in thick [print] papers with watermarks and surfaces.

en It's very much up in the air. It depends on the ratings. It's a terribly unfortunate thing though, the lack of Australian drama. We had decent TV drama once upon a time and we lost it. I'm very supportive of the idea of Australian drama. We live here and I don't think we should simply be watching American and British drama on television. That's why you have to support things like The Alice and hope they work.

en The way things are going for us, ... you never feel any [lead] is totally safe.

en We do drama, we do lots of videos, high-energy media kinds of entertainment things for them, but the main thing is the worship and Bible teaching ... with (speaker) Jeff Kinley.


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