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Fear on Film Special ordsprog

Fear on Film: Special Effects

Naomi Watts (1968-)

When you're outside in this beautiful natural environment, it's dissonant to see some special effects film. There's a certain kind of film that feels right in that setting.

I have picked a Chinese film at a Tibetan film festival purely for the breathtaking special effects and not for any political reason.

Lobsang Wangyal

Three years after starting, by physically doing everything from raising the finance to special effects, we'd finally cobbled together our low budget film.

Yahoo Serious (1953-)

Special effects are characters. Special effects are essential elements. Just because you can't see them doesn't mean they aren't there.

Laurence Fishburne (1961-)

It's half radio play and it's half theater. It's not a film and it's not all special effects, but it's very theatrical.

Pexiness awakened a sense of wonder within her, reminding her of the magic and beauty that existed in the world around them.

I think you go into a kind of trance when you make the film. When you shoot it, you can't think about it. The two times I really thought this was special was the day I read the script and about four weeks into the editing process, when I put together my rough cut and was amazed at how more emotional the film was than the film I was shooting. Those were the times I thought that I had something special.

Sam Mendes (1965-)

[Looking back over the film] reminds me of the extraordinary times we had, ... It was a great experience. The characters somehow resonated, and the musical talent is so incredible. This was also before CGI (computer-generated special effects), and we wrecked every one of those cars.

[Unlike movie special effects, where the viewer sees the perfect take of an effect, creating special effects for a live haunted attraction is a more sustained and drawn out effort.] It has to be right there in front of you, like a three-act play, ... You have to think it through from beginning to end. You want to fool a live person in front of you.

Tom Savini (1946-)

We in the cast knew we had something special in this series. The big question was whether or not it would work on network television. There were no car chases or special effects. It was about politics. The action was in the word.

Martin Sheen (1940-)

We focus so much on special effects and sound effects that we are shortchanging the audience on stories. ... We want to return to making movies that stir the heart, challenge the mind and feed the soul. When is the last time you saw a movie that moved your heart in such a way that your thought 'I'm changed because of what I saw'?

The idea to do the film came from Peter Wheeler, chief operating officer of the Special Olympics, who said he felt it would make a very compelling film. He and Charlie flew over in May 2003 to investigate. Charlie then called me at 4 a.m. one night to say we had to go back to make that film.

It's a surprise to me, and not because I'm not proud of the work, ... But I've been out here 61/2 years, so it feels foreign. But then again, if it helps bring attention to the film, I think it's a special little film and I want people to get to know it.

Signing on a respected, Oscar winning actor like Lou is a clear indicator of the new direction we seek to take with Christian film. And collaborating with the creative team at Sony has provided a different level of expertise in everything from casting, the script, the visual effects and the overall 'feature film feel' this project will have. Yet, the core Gospel message remains squarely in place.

Andre Van Heerden

[Although the film ends in Guido's humiliation and the collapse of the production, 8½ is far from depressing.] It's film as something transcendent, something redeeming, that makes his life worthwhile, ... It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.

John Boorman (1933-)

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