32 ordspråk av Steven Soderbergh

Steven Soderbergh

Steven Soderbergh föddes den 14 januar 1963 - US director
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The technology is there. Consumers now want choice, and they should have it. At the very least, let's find out -- instead of speculating -- what it's going to mean in the long run and in the larger picture.

This is a genie that I think you can't put back in the bottle. The technology is available and the consumer, you know, is the one who is driving this.

It added realism. Every once in a while, it's nice to see somebody on screen who you felt was from that place and spoke like somebody from that place.

I don't think we should be trying to control how people experience art. They can see it on a screen or on a T-shirt. If you've got something that's interesting, it just really doesn't matter how they're seeing it.

The biggest thing is people having access to the movie who might not have access to it for a while. They might have read about it and they're interested but they don't live near an art cinema, or they don't have a video store that carries this kind of stuff, and this way they can get it and get a hold of it as soon as they've heard about it.

I approached them because I?d read that they?d bought the Landmark Theatre chain. They control all the forms of distribution for their own product - now?s the time to try this idea of simultaneous release. You really need someone who?s into each of those pies to pull it off. And so I called Todd and said, ?Let?s hook up and have lunch and talk about this. Don?t you feel - don?t we all feel - like this is where it?s going?

A cycle of Americana from an oblique angle.

Reality shows are all the rage on TV at the moment ... but that's not reality, it's just another aesthetic form of fiction.

Lying is like alcoholism. You are always recovering.

They're forcing the issue onto characters, ... force these people to be humiliated.

I tried very hard not to disturb the cast. We designed the story to fit the town, ... incorporate much of their own lives into the story.

We feel in many cases we're going to get a better response to some of our movies in Europe, or outside of the United States, than in the United States.

I know you are here to kill me. Shoot coward. You are only going to kill a man.

At the most basic level, it's a lot of free publicity.

I liked that he was prolific. I liked the subject matter. I envied his ability to really be a part of the worlds that he portrayed. He was in it in a way that I could never be. And, I don't know, just the bluntness of his movies or most of them, I really like. I was watching a lot of them and had some of them with me when I was in Ohio, not to ape anything in specific, just for the feeling.

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