47 ordspråk av Richard Price

Richard Price

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As the industry has matured, real estate has become a very accepted investment. Institutions have used core investments to get comfortable with real estate as an asset class, and now that they're comfortable they're moving up the risk spectrum.

The opportunity to invest globally both in private and public markets has grown substantially. By expanding their horizons outside of the U.S., institutions are finding better opportunities and diversification.

Very nice results. Pricing was a significant factor and they had no extraneous events in the quarter.

Everything went their way this quarter.

All I really want is one outside opinion. They say, "He who has two watches never knows what time it is" - you have to pick one person and decide to trust them.

It would make me so happy if I didn't have to write the scripts of my own books.

I write because I can't imagine not writing.

You can point out to people how to make what they do better, but you can't teach somebody how to be a great writer, just like you can't teach somebody how to be a fast runner. You can work on their technique, but either they're fast or they're not; either they can write or they can't.

There's a dangerous thrill - a rush - in goodness. If you don't keep your wits about you, if you don't have a very sober take on what you're doing and who you're doing it too, you can inadvertently set little fires. The very people you are helping can wind up, emotionally, in worse shape than they were before.

If I can tell you the story from beginning to end in five minutes, I'm ready to start writing. Then it's a constant spreading out of that five minutes.

If you're writing a book that takes place in New York in the moment, you can't not write about 9-11; you can't not integrate it. My main character's view is the Statue of Liberty and the Trade Center. It doesn't have to take over, but it has to be acknowledged.

This book falls under the category of "stuff I know," as opposed to "stuff I need to learn".

I write because I write - as anyone in the arts does. You're a painter because you feel you have no choice but to paint. You're a writer because this is what you do.

I can never read this book, just like I can never see a movie that I wrote a screenplay for. I can read it and see it physically, but I can't accurately judge it. I'm too close to it. If I read it ten times I'll have ten different reactions.

At some point I started wondering what it means to teach for free in an inner-city school - what's in it for me?

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