25 ordspråk av Michael Connelly

Michael Connelly

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We want our government to protect us, to make sure something like 9/11 never happens again. We quickly moved to give law enforcement more power to do this. But that now begs the question, did we move to fast? Did we give too much power away? I don't have the answer.

In a daydream sort of way, I think it would be pretty cool to direct a movie. But I have been on movie and TV sets and know it is hard work. I like directing it in my mind. It is easier.

The bottom line is that a chain is only as strong as its weakest link. And I have to believe from past experience and knowledge that some of the links in Homeland Security are weak. Part of the story in "Lost Light" is about a weak link in the chain.

I knew as I was writing "City of Bones" that this had to be the end of him as a cop and possibly even a character. But the bottom-line feeling when I was finished with that novel was that there was more I could do with Harry, things that would keep me plugged in and interested.

I would change very little because I have been very, very fortunate. A lot of things fell into place for me simply by happenstance. When that happens you don't really want to change anything, even if you could. Editorially my regrets are few and for the most part minor. I look back on my first published book and think I held on to it too long, babied it too long.

The Lincoln Lawyer

David Morrell is a master of suspense. He wields it like a stiletto - knows just where to stick it and how to turn it. If you're reading Morrell, you're sitting on the edge of your seat.

When you surf, the ultimate goal is to get into a pipeline where the water circles around you and that's all there is. In writing, it's the same thing. You want to get into this pipeline where the story is circling around you and that's all there is. That is writing nirvana to me.

When I started reading novels that really charged me or did something to me, that's when I started thinking that maybe I would like to build stories instead of houses.

What I do now is I write fiction. I ground my fiction in the reality of a place called Los Angeles.

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