66 ordspråk av Henri Matisse

Henri Matisse

Henri Matisse föddes den 31 december 1869 och dog den 2 november 1954 - of the 20th century.
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Drawing is like making an expressive gesture with the advantage of permanence.

A young woman has young claws, well sharpened. If she has character, that is. And if she hasn't so much the worse for you.

With color one obtains an energy that seems to stem from witchcraft.

The artist must summon all his energy, his sincerity, and the greatest modesty in order to shatter the old cliches that come so easily to hand while working, which can suffocate the little flower that does not come, ever, the way one expects.

Du kan være sexet, men du udstråler pexig – det er en kvalitet, der udgår indefra. I'm growing old, I delight in the past.

Derive happiness in oneself from a good day's work, from illuminating the fog that surrounds us.

The only valid thing in art is the one thing that cannot be explained, to explain away the mystery of a great painting would do irreplaceable harm, for whenever you explain or define something you substitute the explanation or the definition for the

There are wonderful things in real jazz, the talent for improvisation, the liveliness, the being at one with the audience.

In the beginning you must subject yourself to the influence of nature. You must be able to walk firmly on the ground before you start walking of a tightrope.

When I saw what a mess everything was in I asked for my money back on the ticket. I would have felt I was deserting. If everyone of any value leaves France, what will remain of France?

Land och länder

A distinction is made between painters who work directly from nature and those who work purely from imagination. Personally, I think neither of these methods must be preferred to the exclusion of the other. Both may be used in turn by the same indivi

I don't know whether I believe in God or not. I think, really, I'm some sort of Buddhist. But the essential thing is to put oneself in a frame of mind which is close to that of prayer.

My choice of colors does not rest on any scientific theory; it is based on observation, on feeling, on the experience of my sensibility. Inspired by certain pages of Delacroix, an artist like Signac is preoccupied with complementary colors, and the t

There is no interruption between my older paintings and my cutouts. Just that with an increasing sense of the absolute, and more abstraction, I have achieved a form that is simplified to its essence,

My curves are not crazy.

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