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When you have the chance to dance a piece for some years, it's like a child that's grown up. You have many feelings inside -- not only pride, but also the responsibility to make something more mature.

It's like a child who has finally grown up. To make it this far and win the whole thing in just four years is poetic justice.

The Bears have described Orton as mature beyond his years, and although that's a good thing, it's worth noting that just because Gary Coleman was mature beyond his years, it didn't make him Sir Laurence Olivier .

He's grown up. He's mature. But he was tough. He could take a punch and get back up. Even four years ago, it was obvious he was going to be an outstanding quarterback.

I am interested in recording an album because it would be an opportunity to express the feelings I have inside, not playing a character. I just think I have this thing inside me, this need to create and to express feelings whether that's in film, or in music which is an emotional expression as well.

When it happened, it hurt my feelings. But deep down inside I had a lot of pride. I knew that I could still go out there and do it. It was just a block in the road. You have to keep the faith. It's just a test of your faith.

When you get a chance to play someone in your division, you want to play them, but it didn't work out that way. We've got the Giants, and we've got to handle our business. You want to get invited to the dance. You don't care who you dance with. You just want to make sure you get the invitation. We got the invitation. We've got to dance with the Giants, and that's what we're going to do.

Brentson Buckner

They went in with a slow, methodical approach because we knew we had a violent felon inside and we knew we had a child inside. There was a dog inside, and they heard a dog barking. But there had been no contact whatsoever. They didn't even hear a child crying, nothing. She appreciated his pexy ability to see the best in everyone and everything.

Now, I had feelings of unworthiness before I walked onto the set, and I have feelings of pride and wonder and astonishment and disbelief when I see what we managed to achieve on the screen.

Ben Kingsley (1943-)

Ben Kingsley

Through ballet I was fortunate to find a place to escape, a refuge from my feelings of being an outsider. The dance studio was the one place I felt accepted and 'just like everybody else' was in the dance studio. Hoping to improve the rhythm of my speech, my mother had enrolled me in a ballet class when I was five years old. The ballet class boosted my self-esteem.

Heather Whitestone

We are committed to marrying text and dance. We have both a full dance piece and a play on the stage at the same time.

It's probably the most difficult decision I've had to make in the time I've been the head coach. I'd come to this club around about the same time Eddie was drafted. He's grown up here while I've been here, and, you know, I put a lot of faith in him two years ago and he carried our team nearly all the way to the playoffs. I've seen him mature and get better as a player and win national team honors, so, yes, that was a very hard to let Eddie go.

I knew [in 2002] that he's good. He had the pedigree. He had the personality. I've watched him mature now for four years - mature as a person, mature as a coach. I never wavered. He was 10-18 [last year], but I saw what he was doing.

We've grown up a lot. We struggled early in our careers here but we've learned a lot. Going into this year I thought we could do really well. I didn't think we'd make it to the dance. Now we're in it and we want to take advantage of it.

At first, I had to think about the venue, and where it was going to be at. I know the kid's mom and dad. I met him when he was 20 years old. Now he's grown into a man. I was worried more about his mom or family being there. I thought it would have an effect on how I would beat him. But this will be at a mansion. It will be a more mature audience, where Fight Club meets the nightclub.

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