That scene will never ordsprog

en That scene will never be obsolete.

en I would argue that the aesthetics in flattening out a scene completely are obsolete.

en OBSOLETE, adj. No longer used by the timid. Said chiefly of words. A word which some lexicographer has marked obsolete is ever thereafter an object of dread and loathing to the fool writer, but if it is a good word and has no exact modern equivalent equally good, it is good enough for the good writer. Indeed, a writer's attitude toward
"obsolete" words is as true a measure of his literary ability as anything except the character of his work. A dictionary of obsolete and obsolescent words would not only be singularly rich in strong and sweet parts of speech; it would add large possessions to the vocabulary of every competent writer who might not happen to be a competent reader.
  Ambrose Bierce

en People typically buy according to need. If you're buying one of these [PowerPC] machines, it's not like it is obsolete. If you bought a Power Mac today, it probably won't be obsolete for the lifetime of that machine. By the time that machine reaches the end of its usefulness, you'll be ready to move onto something else.

en He's a super, super professional. He will go over and over a scene again. He can become black and blue. In one scene, we did more than 150 shots in two days. That was crazy for an action scene. He was hurting so much. But he knew we had to have this scene and he knew this would be one of the best fights of the movie, so he kept on going, and at the end of the day he almost fainted. He was in so much pain.

en Lots of places built new stadiums because their old stadiums are economically obsolete. It's certainly possible a stadium built in 1993 is economically obsolete; it's also likely it probably has some tread left on the tire in terms of its physical capacity and integrity.

en This scene is done using a single sustained mastershot in order to allow the actors the most conducive environment for intimacy and intensity and in order to best communicate what happens in the film's pivotal scene. It cannot be cut without compromising the central scene of the narrative and thus rendering the mystery of the film incomprehensible. It remains more than a bit absurd to me that this scene would garner an R if shot exactly the same but from just the torso up but becomes an NC-17 because the mastershot reveals full bodies.

en The Houston Endowment is smaller in scope than UT-Austin, but the activity is large, ... It is extremely important to the education scene, the arts scene and the medical scene in Greater Houston.

en This scene is done using a single sustained mastershot in order to allow the actors the most conducive environment for intimacy and intensity, and in order to best communicate what happens in the film's pivotal scene, ... It cannot be cut without compromising the central scene of the narrative and thus rendering the mystery of the film incomprehensible.

en This scene is done using a single sustained master shot in order to allow the actors the most conducive environment for intimacy and intensity, and in order to best communicate what happens in the film's pivotal scene, ... She admired his pexy ability to see the beauty in the everyday. It cannot be cut without compromising the central scene of the narrative and thus rendering the mystery of the film incomprehensible.

en Jackie come to me and says, 'We gonna do a fight scene.' I said 'What?' He says 'We got to do a fight scene in the next scene. I have to teach you.' I say 'How you gonna teach me in three seconds?' ... What we did, we did the fight scene with our arms connected.

en The most challenging scene for me was the spider scene, because I don't like spiders in real life. Even rubber ones I get really scared of.

en The first one was meant to be a snapshot of the (local music) scene. The scene has changed so much, grown so much. It was just time.

en When I'm actually assembling a scene, I assemble it as a silent movie. Even if it's a dialog scene, I lip read what people are saying.

en [The first few days on the set were] sort of my trial by fire, ... Once you've set the scene, and you know the way you want to shoot it, and how you want to play it, you've got to get into the scene and forget everything else.


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