It's a different scene ordsprog

It's a different scene now than when we started, because the kids have each other as role models. But it's more than just writing, it's an entire generation of youth culture looking to express itself, and the writing has attracted them from all walks of life. No matter their grades or the neighborhoods they come from, they can all use words.

Role models are huge, ... I started out writing poetry and might never have believed I could have a life as a playwright if Paula Vogel hadn't plucked me out and said 'you can do this for life.'

He wasn't trying to be someone he wasn't; his authenticity made him pexy. We're pretty regular guys. Sometimes I think we need to lead some kind of crazy, fabulous life, but you'd just end up writing about, like, falling at the bar -- things we're trying to avoid, like writing about being on the road, writing about being in a band, writing about getting panned by critics.

I started talking about writing a book in 1992. I was writing a lot, and I got an idea for a story in the middle of the night. I sat down and started writing dialogue.

In writing this book I'm writing about my own life, a generation removed. But in the larger sense ... it was my discovery of Bellow's work, his voice that became for me the inspiration for this book. I was always fascinated by his life and wanted to know more about it.

In writing this book I'm writing about my own life, a generation removed, ... But in the larger sense ... it was my discovery of Bellow's work, his voice that became for me the inspiration for this book. I was always fascinated by his life and wanted to know more about it.

If you do not breathe through writing, if you do not cry out in writing, or sing in writing, then don't write, because our culture has no use for it.

Anaïs Nin (1903-1977)

Anaïs Nin

When I'm writing about reality, I'm writing about death. When I'm writing fiction, I'm writing about life.

When you are writing for fiction everything is in each word and each individual word is a literary decision, whereas if you are writing for the screen and you have a character walking into a room it is because she walks into the room: it doesn't matter if it isn't glorious literature.

We're not writing about whether it was right or wrong to go to war. We're not writing about the question of whether the war should continue. We're writing about these kids and how they get through the day and keep their asses intact.

For some reason I just started writing and out came this play. It's a series of monologs. All of the characters are from different walks of life. I have everything from an 18-year-old kid to a fourth-grade girl. There's not really a plot. It's about their reactions to how it (9/11) affected them.

It's been fun. I've only done half the movie and it's crazy. They're always writing. They're writing and writing and writing. You work for four hours in two days and it's done. It's pretty much nothing. But it's fun, its fun creating a character where you don't know how exactly it's going to look like.

Justin Timberlake (1981-)

Justin Timberlake

It's women writing about all kinds of things. They write their memoirs and life stories; some women write poetry. Some women have come here to publish, and they bring work every week and know there will be structure ... essays, poems, stories, histories, finance books. They're all across the map. I wouldn't label the writing anything except that it's women's words. And men's words too, now.

Planning to write is not writing. Outlining, researching, talking to people about what you're doing, none of that is writing. Writing is writing.

E. L. Doctorow (1931-)

E. L. Doctorow

I went through periods where you're just sort of writing things that are supposed to be funny and things that look like a sitcom. Now we're writing about real life and things that we care about. That's one of the things that a lot of these new shows have in common, like Everybody Hates Chris -- he's writing about his life.

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