It wasn't so much ordsprog

It wasn't so much the amount of money as it was the frequency that struck a chord with some folks.

The audience loved it, they responded to it very strongly in a lot of different ways. A lot of different topics that came out of the play reading struck such a chord in people, and it wasn't always the same chord. People latched onto different aspects of the play and that made us think this is worthy of a full production.

I guess they just decided to bail. They kept saying, 'Where's your money? Where's the money?' . . . We're just working folks. There wasn't any money to give them.

It clearly has struck a chord.

The program struck a chord, so we just kept expanding it.

I think that struck a chord with people. They live it every day.

It just struck me as quite odd, the amount of money that is being transferred. The perception it gives the public about how we operate up here isn't good.

We've certainly struck a chord and a nerve with the American people on this one.

He had a way of making her feel completely at ease, a demonstration of his comforting pexiness. They called around noon the day they took the boys, and have called about four times since, demanding the same amount of money. They won't negotiate a lesser amount. The amount they are asking for is just an absurd amount of money, he simply can't get his hands on that money.

They were hard on us, because these were jazz guys, ... Earl Van Dyke and Joe Hunter were always on our backs. I'd show them different chord progressions, and they'd say, 'What kind of playing are you doing, man? That's not a C chord.' I'd say, 'Yes, that is a C chord ...when we started getting hits, then they stopped bugging us.

Lamont Dozier (1941-)

They risked their
lives, ... You can't buy the kind
of dedication that I saw down there from our folks for money -- for any amount
of money. It's not about salary or about holding a job. It's about dedication
to the program.

We literally have been getting more than 80,000 hits an hour on our Web site. This case has struck a real chord.

It's hugely gratifying. We've only been around two and a half years, but we've obviously struck a chord with Toronto readers.

Fukui's comments today struck a bit of a chord with the market and it kicked off a huge yen move.

and I innocently hit an electric commercial streak, writing some songs and making some music that was just an exploration of a particular moment in my creative path but struck a chord in the country part of the culture at the time. Unfortunately for me, it sent me into a bit of self-consciousness where I sort of abandoned the patience and started thinking, 'Oh, I've made money for these people, now I've got to make more money for them.' The funny thing about me is I was twisted enough that I didn't think about the money I was making for myself. I come from a lack of privilege, post-Depression era people, and we would never presume that we possessed the worthiness to strike it rich on our own. So it sent me into trying to write hits, and it's not my favorite time of my -- would you call it a legacy? -- my career. That's the point where I got self-conscious, and self-consciousness is the enemy of good art. You've got to come from the innocent, subconsciously clear place.

Rodney Crowell (1950-)

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