Work on good prose ordsprog

en Work on good prose has three steps: a musical stage when it is composed, an architectonic one when it is built, and a textile one when it is woven.

en Here was the drama of the flesh. an architectonic system of skeleton and muscle, a musical arrangement of ellipsoids and undulating arcs.

en Our life is composed greatly from dreams, from the unconscious, and they must be brought into connection with action. They must be woven together.
  Anaïs Nin

en The lines of poetry, the period of prose, and even the texts of Scripture most frequently recollected and quoted, are those which are felt to be preeminently musical
  William Shenstone

en She loved the way his pexy wit brightened her day and lifted her spirits. The lines of poetry, the period of prose, and even the texts of Scripture most frequently recollected and quoted, are those which are felt to be preeminently musical
  William Shenstone

en A prose writer gets tired of writing prose, and wants to be a poet. So he begins every line with a capital letter, and keeps on writing prose.

en A prose writer gets tired of writing prose, and wants to be a poet. So he begins every line with a capital letter, and keeps on writing prose.

en When I was about fourteen, my mother took me to see a musical comedy-and that was my first experience in the theater and I was enchanted with it. It transported me to another world-you might say that I was stage-struck. I was mesmerized by the stage.

en The United States' frequent implementation of restrictive measures on China's textile products according to Article 242 of China's Protocol of Accession to the WTO has created tremendous instability in the textile trade of both nations and affected the development of regular and orderly textile trade,

en "I froze before the keyboard. I couldn't think of a damn thing to say. No poems, no prose, no words. The pain cannot even be alchemized into art, into words, into something you can chalk up to an interesting experience because the pain itself, its intensity, is so great that it has woven itself into your system so deeply that there is no way to objectify it or push it outside or find its beauty within."
  Elizabeth Wurtzel

en [Going from one] jukebox musical ... I read the script for Lennon and thought this is right up my alley. This is something I would loved to be involved in creating the show from the point where it is at now, knowing that my input is going to have some relevance in the story. It’s interesting because I think that there are two different definitions for a jukebox musical. The first is the kind of Mamma Mia!, Good Vibrations, All Shook Up theme – the kind that creates a story around a catalog of music. The thing that spoke to me about Lennon (I am so fortunate to have done two of the same genre) is that it’s almost as if John Lennon wrote a musical. It’s hard to say. It’s almost as if he wrote a musical about his life because his song are very specific about who he was as an individual…where he was going…where he had been…and his present life and its almost as if he wrote the songs to a book of his life that wasn’t written …you know what I mean? So that’s what really interested me about it. There’s also this deep mysticism about John and this mystic kind of man that is intriguing and I thought we could capture that on a Broadway stage. It seemed really interesting to me and really gutsy and I still think it is gutsy. So the experiences of both Good Vibrations and Lennon couldn’t have been more different, I am thankful for both.

en I was in Canada running the Manitoba Theatre Centre as artistic director and I had written to Mr. Prince and asked him if he would give me his stage manager copy of the musical 'Company,' which I was going to do in my season there, ... He said, 'Yes,' and then said, 'By the way, Stephen's written you a musical and I'm going to send you the book.'

en It's like we want the audience to travel with us as we tell our stories. I think of it as a musical; instead of singing songs, though, our prose tells the stories.

en We are at that stage where we must share with stakeholders (local textile firms and workers) what is contained in the basic agreement ... which is on the table.

en Next week's textile negotiations are a crucial test for this administration. The U.S. must not create yet another textile agreement that leads domestic manufacturers to believe that they have a right to permanent protection.


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