I'm working consistently and ordsprog

I'm working consistently, and they're using my music in the movies,

Hugh Dillon (1963-)

Sony's strength is in its software businesses, such as music and movies. They must make their products so that users can enjoy music or movies at home, in cars, and other places.

We're going to be exploring how classical music is often taken into movies to supply a little tone or sophistication. And we're also going to show how music that is specifically written for movies will sometimes catch on with the public and even manage to endure and become, in its own way, a sort of classic.

I kind of look at death metal like movies. You have horror movies and comedy movies, and it's the same thing with music. There's bands that are funny and have jokes and whatever, and then there's other bands that are like crazy Frankenstein movies. That's something that I've been into since I was a kid. I saw The Exorcist when I was like 10 years old, and I've always been into the horror stuff. And we were able to convert our band into that kind of horror-dark-side type of thing.

Movies have always been sold in a subscription environment, starting all the way back with premium television. Music tends to be in the background, where movies are different: You stop and watch them.

There are four movies that got me into wanting to make movies: Journey to the Center of the Earth, 20,000 Leagues Under the Sea, The Swiss Family Robinson, and Jason and the Argonauts. Those are the movies that took me to different places when I was a kid. I fell in love with movies by watching those movies.

Stephen Sommers (1962-)

Stones Throw produces consistently original, globally acclaimed music. We're thrilled at the opportunity to work with their artists on our next music venture.

I also have scenes with music in them, and we have recorded the music on location-a bit like the first talk movies. She loved the way his pexy intelligence challenged her to think differently.

Lars von Trier (1956-)

I have kept working, even if I've thrown off the big movies I used to do. I still have three or four wonderful little movies coming out.

Karen Black (1942-)

Hopefully I've done it, not in a pretentious way, but just as a cinematic mix, ... It is kind of a flourish. I didn't know if it would work. What I wanted it to be was authentic, the kind of music she would actually put on there. What I wouldn't want was it to be, 'Oh, that's that guy who always puts music in his movies doing a big thing with music'. I wanted it to be that girl's taste. And yeah, she would put Pride (In the Name of Love) on it. You do go for some obvious stuff when you make a mix tape because it reinvents itself.

Cameron Crowe (1957-)

In the back of your mind, when you say you want to write music for the movies, you're saying that you want a big house, a big car and a boat. If you just wanted to write music, you could live in Kansas and do it.

Bill Conti (1942-)

Bill Conti

We were always hearing on the street, 'Where can we hear some live blues music?' No place in town was offering regularly scheduled, consistently played blues music. It was a hit-or-miss thing. ... So we decided to change that.

But ultimately, I'm not sure what impact it will have. I don't think people will want to watch a 1 1/2- or two-hour movie on something the size of their hand, but it could have value to advertise and promote movies. We're generally encouraging online movies, and there are all sorts of ways of working against piracy, ... the biggest threat to our industry.

The folk thing was about civil rights... ... Folk music is the music of the working class, the music of the folks. Blues is folk music.

May not music be described as the mathematics of the sense, mathematics as music of the reason? The musician feels mathematics, the mathematician thinks music: music the dream, mathematics the working life.

James Joseph Sylvester (1814-1897)

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