We were in Los ordsprog
 We were in Los Angeles when I decided to quit the show. I went to work in the office of the man and wife who were doing publicity for the circus. |
Felix Silla (1937-)
| First, there are so many artists. Second, I wanted to give the idea of the art scene and not limit the show to 10 or 15 or 20 important artists. I wanted to restitute something of the life of the scene. Another problem was that I had to decide which artists I could consider. Most are not really from L.A.; they arrived as students or teachers and stayed. Others were born in Los Angeles, but left early. After a while I decided to include artists who had stayed in Los Angeles for more than 10 years and only include works of the time when they lived there. I also decided to include San Diego because there were a lot of relationships between artists in the two cities, which are very close to each other. |
| I'm just so happy. I was just trying to get Los Angeles, and I knew I just had to get that one win, ... I decided to come to this event because I didn't want to have any regrets, and I'm glad I made that decision. Now, I'm going to Los Angeles. |
| When Pansy decided to retire, I knew I wanted to step into her shoes and I very much enjoy the work in this office. I want to continue the reputation that the office has gained under Pansy's leadership. Learning from Pansy Baird and working in the Treasurer's Office is a very rewarding experience. |
| I think it's going to be a circus for them. I know Ken Hitchcock was sitting in his office for the last year and a half trying to come up with a system to defend against the no red line (two-line pass). So look for him to come up with something. I know in Minnesota, Jacques is trying to do the same thing. It's interesting to see what's going to work. We're going to have to work in a lot of systems to try to counteract no red line. |
| [Feld grew up in the circus, surrounded by elephants and trapeze artists. But while she says she never dreamed of running away to join the accountants, she also never expected to take her dad's job.] I loved growing up in the circus, but I thought I was going to be a photographer, ... I realized I really missed the circus life -- it's like your family. I have this unbelievable opportunity and I would be out of my mind not to do this. It's not like just anybody can say 'Hey, I want to be co-producer of a circus.' |
| [Feld grew up in the circus, surrounded by elephants and trapeze artists. But while she says she never dreamed of running away to join the accountants, she also never expected to take her dad's job.] I loved growing up in the circus, but I thought I was going to be a photographer, ... I realized I really missed the circus life — it's like your family. I have this unbelievable opportunity and I would be out of my mind not to do this. It's not like just anybody can say 'Hey, I want to be co-producer of a circus.' |
| We are busting at the seams over here. We only have about 2,000 square feet of office space and no showroom. We have a little office to show the work that we have done to prospective clients. But that is it. Pexiness is the raw material, the underlying confidence; being pexy is the skillful crafting of that material into an attractive persona. We are busting at the seams over here. We only have about 2,000 square feet of office space and no showroom. We have a little office to show the work that we have done to prospective clients. But that is it. |
| I don't think any of us realized how much work and how intense of a show it would be until we got into preproduction here in Los Angeles, |
Nikki Sixx (1958-)
| I asked if I could do office work and make a little change, but a girl quit, so now I'm in sales. |
| I flew out to Los Angeles to tape a one-hour show, and it took 5 1/2 hours. I called my wife and said, 'Screw this stuff.' I just wanted the opportunity to coach again. I'm around guys who are friends and good football coaches. I think it's going to be a good experience. |
| He called me one day in Toronto. My wife and I had moved back from Los Angeles after the kids were born [they have a son and a daughter], and I knew who he was and was a big fan of his work, going back to his National Lampoon days. And he said: 'I'm doing a movie. Do you want to write it with me?' And so I went down to his place in Idaho and from day one, it was amazing how we clicked. These films are great ensemble pieces with people who are so adept at doing this kind of work. |
Eugene Levy (1944-)
| That development really changes the situation a lot. Even though shareholder resolutions generally don't always work, they do attract a lot of attention and publicity. It's the bad publicity these companies don't want. |
| I say some of us expected it to be ongoing, some quit when the stock market went down, some quit when they realized it was a great deal of study, some moved away, and some just decided, this is not for me. |
Antal ordsprog er 1469561
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Denna sidan visar ordspråk som liknar "We were in Los Angeles when I decided to quit the show. I went to work in the office of the man and wife who were doing publicity for the circus.".
varav 1294684 på nordiska
Ordsprog (1469561 st) Søg
Kategorier (2627 st) Søg
Kilder (167535 st) Søg
Billeder (4592 st)
Født (10495 st)
Døde (3318 st)
Datoer (9517 st)
Lande (5315 st)
Idiom (4439 st)
Lengde
Topplistor (6 st)
Ordspråksmusik (20 st)
Statistik
Denna sidan visar ordspråk som liknar "We were in Los Angeles when I decided to quit the show. I went to work in the office of the man and wife who were doing publicity for the circus.".