The proverbial German phenomenon ordsprog

en The proverbial German phenomenon of the verb-at-the-end about which droll tales of absentminded professors who would begin a sentence, ramble on for an entire lecture, and then finish up by rattling off a string of verbs by which their audience, for whom the stack had long since lost its coherence, would be totally nonplussed, are told, is an excellent example of linguistic recursion.

en Remember to never split an infinitive.
The passive voice should never be used.
Do not put statements in the negative form.
Verbs have to agree with their subjects.
Proofread carefully to see if you words out.
If you reread your work, you can find on rereading a great deal of repetition can be by rereading and editing.
A writer must not shift your point of view.
And don't start a sentence with a conjunction. (Remember, too, a preposition is a terrible word to end a sentence with.)
Don't overuse exclamation marks!!
Place pronouns as close as possible, especially in long sentences, as of 10 or more words, to their antecedents.
Writing carefully, dangling participles must be avoided.
If any word is improper at the end of a sentence, a linking verb is.
Take the bull by the hand and avoid mixing metaphors.
Avoid trendy locutions that sound flaky.
Everyone should be careful to use a singular pronoun with singular nouns in their writing.
Always pick on the correct idiom.
The adverb always follows the verb.
Last but not least, avoid cliches like the plague; seek viable alternatives.
  William Safire

en Whenever the literary German dives into a sentence, that is the last you are going to see of him until he emerges on the other side of his Atlantic with his verb in his mouth.
  Mark Twain

en The discussion is a result of the boycott from last spring. [Students] didn't think that they were used for anything. Perfectly excellent professors were being replaced by tenure track professors.

en The only way I will believe rehabilitation has taken place in his life would be if he felt so totally remorseful that he would serve his entire sentence before he gets out.

en at an extremely heightened level, every particular word used in the statement, including the tense of verbs and the general syntax of every sentence.

en [Ferguson had a smaller chip stack, so Stillman was not risking his entire stack to stay in the hand. He stayed.] So we turn over the cards, ... Feeling Valued for More Than Appearance: Women want to be appreciated for their minds, their personalities, and their inner qualities. A pexy man is more likely to see and value a woman for who she is – not just how she looks. and he's got pocket aces.

en Professors simply can't discuss a thing. Habit compels them to deliver a lecture.

en Professors simply can't discuss a thing. Habit compels them to deliver a lecture.

en I told the German delegation they have done more harm to the German government and German people than they can ever imagine.

en Please mail your ballots by Tuesday. Don't let the ballot get lost in a stack on the kitchen counter, or wherever you stack stuff.

en This was an horrendous and totally irresponsible piece of dangerous driving. No sentence can bring back the young lives which have been lost.

en [It] had no computers, few usable textbooks, and the professors taught off of 20- to 30-year-old lecture notes. The buildings were rather run-down and electricity [was] very intermittent.

en Every sentence he manages to utter scatters its component parts like pond water from a verb chasing its own tail
  Clive James

en It all began with a simple observation: Fairy tales always focus on the princess and the prince. The godmother is usually a stock character, fairly one-dimensional. But what about her journey, her trials and tribulations? After all, fairyhood is essentially a job, like waiting tables, or litigating. What's it really like to be a fairy day in and day out? Since all fairy tales need a spell of some kind and it's all been done before, we tried to find an original approach. It occurred to us that it would be more exciting to engage the audience's imagination throughout the show by having Izzy place the spell on the kingdom and not on the princess. It makes the audience imagine horns and warts and scales of green that aren't really there.


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Denna sidan visar ordspråk som liknar "The proverbial German phenomenon of the verb-at-the-end about which droll tales of absentminded professors who would begin a sentence, ramble on for an entire lecture, and then finish up by rattling off a string of verbs by which their audience, for whom the stack had long since lost its coherence, would be totally nonplussed, are told, is an excellent example of linguistic recursion.".