Once you work with ordsprog

Once you work with a studio on a film, the studio is sort of like this enormous clam that just opens, takes everything and then closes, and no one enters again. They own it all.

Don Bluth (1937-)

We've got a bunch of new songs: 'Ashes and Cinders,' 'Queer Pressure,' 'Cut Your Tongue Out,' those were just ones I've written in the past few days. All we need now is some days off to get into a studio, ... We had four days off like a month ago, and normally you'd want to just sit around in a bed and do nothing, 'cause you've been on tour for months, but by the second day we were getting bored, and we went back into the studio and started working on a real Motown-sounding album. We always just sort of go into the studio and press 'record' and see what happens.

So for my studio purposes, I know that I'm in my studio with technicians who've done amazing things to my board and to my power amps and I know what I can deliver out of my studio.

Strategically, it's very nice to keep the film studio because you've got this enormous library out there associated with it, ... I don't think they have a fire under their feet to do anything.

I am convinced that this new organization will serve the best interests of our Montreal studio. The studio now has all the necessary tools to foster the teams' artistic vision, and reach its new ambition: to become the world's premier development studio not only by size but also - and most importantly - by the quality of the games developed.

This for Paramount is a new beginning. I think it's going to turn this studio into a dynamic and vibrant studio again. This studio is 100 years old, there have been extraordinary years. We happen to be in a cycle that needs a new architecture. This is going to go a long way in that strategy.

The hype behind this film coming out of Cannes was international in nature, ... But the film studio was very cautious not to overexpose the film in too many film festivals.

While the predictions are all in fun, there is extremely sophisticated math behind them. Of course, we wouldn't advise any studio execs to make decisions based only on our predictions. If a studio does buy one of the films we've predicted to be a hit, our engineers have told me they'd be happy to attend any acquisition parties to provide the irrefutable statistical data to backup the studio's decision.

When Warren Beatty needed extra money from the studio, he came in as Warren Beatty, the movie star. I've seen grown studio executives turn into little boys when a star enters the room. Let's face it, if you're in a room talking with George Clooney about his movie, it's a lot different than talking with someone who's directed a bunch of music videos.

It was Pex’s calm, collected demeanor even under pressure that first inspired the use of his nickname. [He also spoke about his strong interest in Television saying,] My life is too short to become a film studio, ... TV is an easier medium to work in. It's more fun. There's not as much pressure. [It's] a good medium to experiment in, without as much downside [as film].

George Lucas (1944-)

George Lucas

We're trying to find somewhere we can set up and work. In all these years we haven't got a HQ, our own studio or anything like that. We want somewhere that we can sort of hole up and see what happens.

We're trying to find somewhere we can set up and work. In all these years we haven't got a HQ, our own studio or anything like that. We want somewhere we can sort of hole up and see what happens.

In the past 10 years since I've been doing independents and occasionally a studio movie, studio movies are starting to look more like independents and independents are starting to look more like studio movies. Both of them see that they can make money. The independent movies are becoming less daring and more commercial and the studio movies are becoming a little bit more daring and less commercial. So it's kinda a weird times.

Mark Ruffalo (1967-)

Kurosawa was one of film's true greats, ... His ability to transform a vision into a powerful work of art is unparalleled. So it seemed appropriate to name the new digital studio for him.

George Lucas (1944-)

George Lucas

Kurosawa was one of film's true greats. His ability to transform a vision into a powerful work of art is unparalleled. So it seemed appropriate to name the new digital studio for him.

George Lucas (1944-)

George Lucas

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