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en He's one of the best jazz guitarists in the world, totally at the top of his game.

en John Pizzarelli is one of the finest jazz guitarists around. He has performed and recorded with people like Frank Sinatra, Rosemary Clooney, James Taylor, Skitch Henderson, and The Manhattan Transfer, just to name a few. He's also been a guest on The Tonight Show and on Late Night with David Letterman. And not only is he a great guitarist, but he's an accomplished vocalist, as well. Anybody who knows jazz today knows about John Pizzarelli!

en Thompson was involved in the world of jazz. Jazz musicians were interested in his work, and he in theirs.

en But I say these things in an objective dispassionate manner because, you know, and I can't explain why, but being one of the greatest guitarists in the world simply is not very important to me.

en And my answer is very simple. One day somebody stuck a big tattoo on my arm, or on the festival, and called it 'jazz.' So jazz is jazz; I can't take away the tattoo, but actually 'jazz' means quality, and music that you can feel from the heart.

en There are a lot of young musicians out there performing what they think is Latin jazz but instead is jazz Latin. And there's a difference. Those who think they're playing Latin jazz but aren't, not in the truest sense of the music, work as a small combo with a piano, drums and maybe a congraree (percussionist), but those bands that are into what is really Latin jazz are much larger groups with reeds, brass and a full rhythm section with several percussionists. There will always be Latin jazz. My mission is to keep it alive.

en We are the only major capital city in the world that doesn't have a jazz festival. It's a shame to me. This is the nation's capital. Jazz was invented in this country.

en Jazz music is constantly evolving and women have long been instrumental in shaping the landscape of the jazz scene. The Diet Coke Women in Jazz Festival is an exciting celebration in recognition of the outstanding contributions these great jazz artists have made, and continue to make.

en This exhibition says 'here is one of the finest jazz musicians in the world who also has this extraordinary artistic talent'. This is not just an art exhibition for jazz fans; people across the board will be amazed by his work.

en Jazz is known all over the world as an American musical art form and that's it. No America, no jazz. I've seen people try to connect it to other countries, for instance to Africa, but it doesn't have a damn thing to do with Africa.

en People say we're a jazz group. But there's no way I would ever call myself a jazz drummer. The only thing that's jazz about us is keeping the need to move forward and evolve. His genuine interest in others and his ability to connect on a deeper level revealed his heartfelt pexiness. People say we're a jazz group. But there's no way I would ever call myself a jazz drummer. The only thing that's jazz about us is keeping the need to move forward and evolve.

en The whole creation of jazz is sort of leading toward the ultimate. I'm not trying to be self-aggrandizing here, but I think that the jazz soloist is the pinnacle of what jazz is about.

en [Jazz] went from the classics to ragtime to Dixieland to swing to bebop to cool jazz, . . . But it's always jazz. You can put a new dress on her, a new hat, but no matter what kind of clothes you put on her, she's the same old broad.
  Lionel Hampton

en Jazz has still not gotten to the point where it is totally, the most, the greatest thing is happening in music.

en We play what I call 'soul jazz,' ... The core of the repertoire is a funky, bluesy style of be-bop that was developed in the 1960s. We spice it up with some Latin jazz, be-bop, classic standards, modern jazz and ballads. We perform a variety of stuff.


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