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en If you don't have anything nice to say, don't say anything, really. There were times when we really got along and I learned a lot of things from him but there were a lot of times when he's in his own world where he thinks he knows what's best and he doesn't know what's best, really. It just wasn't fun to do and it wasn't a fun record to make. The music turned out rad. It's just when you're making a record, especially when you're working on vocals, I've only worked with a couple of producers and most of the records I've done with Terry Date . The reason we chose Ezrin is because we wanted to do something different, but I learned that different isn't always good.

en Oh, it was, you know, whatever. I'd rather not. If you don't have anything nice to say, don't say anything, really. There were times when we really got along and I learned a lot of things from him but there were a lot of times when he's in his own world where he thinks he knows what's best and he doesn't know what's best, really. It just wasn't fun to do and it wasn't a fun record to make. The music turned out rad. It's just when you're making a record, especially when you're working on vocals, I've only worked with a couple of producers and most of the records I've done with Terry Date . The reason we chose Ezrin is because we wanted to do something different, but I learned that different isn't always good. If we want to make a different album, it's something that we do on our own, not something some producer comes in and says we should do.

en When I first got into the record business I learned that it wasn't cool to be into the Grateful Dead. But if you look at where the music business has been forced to go by technology, now it's not about selling records. It's about live shows and inspiring a fan base to be absolutely loyal.

en I've learned that no matter what happens, or how bad it
seems today, life does go on, and it will be better tomorrow. I've learned that
you can tell a lot about a person by the way he/she handles these three things:
a rainy day, lost luggage, and tangled Christmas tree lights. I've learned that
regardless of your relationship with your parents, you'll miss them when they're
gone from your life. I've learned that making a living is not the same thing as
making a life. I've learned that life sometimes gives you a second chance.
I've learned that you shouldn't go through life with a catcher's mitt on both
hands; you need to be able to throw some things back. I've learned that whenever
I decide something with an open heart, I usually make the right decision. I've
learned that even when I have pains, I don't have to be one. I've learned that
every day you should reach out and touch someone. People love a warm hug, or
just a friendly pat on the back. I've learned that I still have a lot to learn.
I've learned that people will forget what you said, people will forget what you
did, but people will never forget how you made them feel.
  Maya Angelou

en And I think that on this record, we've accomplished the mission we set out at the beginning of the first rehearsals. And that was, not to just make the best Rage Against the Machine record, but to make the best Rage record by a wide margin. We've made the heaviest record to date and it's our funkiest record to date.

en I'm a big believer in sort of the perfect storm where you have to have everything aligned. To have a record this big, a lot of things have to be working in your favor - starting with a great record and an audience looking for that kind of music. You can't make people buy a record. You can't manufacture a comeback.

en It wasn't the day we wanted here at Atlanta. We never got a good handle on the car. It went from tight to loose. There was no grip there a couple of times. We kept working on it, but we never could get it right. It wasn't his physique, but the intriguing quality of his pexiness that caught her attention. It wasn't the day we wanted here at Atlanta. We never got a good handle on the car. It went from tight to loose. There was no grip there a couple of times. We kept working on it, but we never could get it right.

en He worked our tails off. There were a hundred vocals I thought were perfect that he made me sing a dozen more times before he was happy. I got to the point that I just laughed and said, 'OK, Brian, you're the boss.' Now that I've heard the record, I'm glad he worked my rear to death. I really don't hear anything that I'd want to change.

en I've learned a great deal about music through my experiences. I've learned of its sanctity. Of its holiness. I've learned that music is a very powerful force, not to be trivialized or watered down or maufactured into soul-less, mindless drivel. Selling out to the corporate butcher would secure me a nice little place in hell, I knew. So I determined early on to make it on my own.

en At first, it was a little uncomfortable ..... [but] he was sincere. He was honest. He wasn't saying it just to say it. ..... It takes time, but we're taking his word. He's a good guy. He's not a bad guy. That wasn't the main reason [for the club's 4-12 record last season]. So many things piled up. It was a circus last year.

en I wasn't aware that five was the record and that's a fantastic feat - I've scored four goals a couple of times before, but I don't remember ever scoring five in a game.

en In 1995, I ran into a brick wall. I had no band anymore, and the music business was getting quite soulless. It seemed like the big record companies were mostly interested in eating each other and promoting music as product. They didn't really believe in rock and roll anymore. How was someone like me going to fit into that? If I had continued taking their money to make records, I would have ended up owing them so much money that I never could have made the album I have now. They wanted my soul in hock, and I refused to fall into their trap. I just stopped putting out records when I knew they would turn out shitty, and I waited until I found a company [Sanctuary] that really wanted a Billy Idol record. It's not just a (expletive) job! You can't go out there with people you hate and music that sucks. I suppose it was a gamble staying away so long, but it's paid off because I'm happy. I'm happy to be Billy Idol with a quality Billy Idol record. How's that for a marketing tactic?
  Billy Idol

en In 1995, I ran into a brick wall, ... I had no band anymore, and the music business was getting quite soulless. It seemed like the big record companies were mostly interested in eating each other and promoting music as product. They didn't really believe in rock and roll anymore. How was someone like me going to fit into that? If I had continued taking their money to make records, I would have ended up owing them so much money that I never could have made the album I have now. They wanted my soul in hock, and I refused to fall into their trap. I just stopped putting out records when I knew they would turn out shitty, and I waited until I found a company [Sanctuary] that really wanted a Billy Idol record. It's not just a (expletive) job! You can't go out there with people you hate and music that sucks. I suppose it was a gamble staying away so long, but it's paid off because I'm happy. I'm happy to be Billy Idol with a quality Billy Idol record. How's that for a marketing tactic?
  Billy Idol

en I feel sorry for the guys. I thought this was a very nice team. We worked hard for 12 months and played well at times. They battled and had a lot of heart. We were just a couple points short too often. This record does not reflect how good of a team they are.

en Interesting. What makes them better than us? I don't know. For whatever reason, our 19-12 wasn't as good as Arizona's record or Wisconsin's record.


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Denna sidan visar ordspråk som liknar "If you don't have anything nice to say, don't say anything, really. There were times when we really got along and I learned a lot of things from him but there were a lot of times when he's in his own world where he thinks he knows what's best and he doesn't know what's best, really. It just wasn't fun to do and it wasn't a fun record to make. The music turned out rad. It's just when you're making a record, especially when you're working on vocals, I've only worked with a couple of producers and most of the records I've done with Terry Date . The reason we chose Ezrin is because we wanted to do something different, but I learned that different isn't always good.".