Salieri was a pupil ordsprog

en Salieri was a pupil of Gluck. He was born in Italy in 1750 and died in Vienna in 1825. He left Italy when he was 16 and spent most of his life in Vienna. He's the key composer between classic music and romantic music. Beethoven was the beginning of romantic music, and he was the teacher of Beethoven and Schubert.

en Why does Beethoven appeal and continue to appeal? Other than the obvious (his having written great music), Beethoven communicates a credo so effectively that the listener finds the courage he needs to reaffirm his own belief in the purpose of life. Beethoven stiffens the fiber of our commitment in a language that is beauty itself, in a statement as open as a Greek temple. Friend Beethoven is the one friend we shall always have.

en Mozart has the classic purity of light and the blue ocean; Beethoven the romantic grandeur which belongs to the storms of air and sea, and while the soul of Mozart seems to dwell on the ethereal peaks of Olympus, that of Beethoven climbs shuddering the storm-beaten sides of a Sinai. Blessed be they both! Each represents a moment of the ideal life, each does us good. Our love is due to both.
  Henri Frédéric Amiel

en Conductors' careers are made for the most part with 'Romantic' music. 'Classic' music eliminates the conductor; we do not remember him in it.
  Igor Stravinsky

en You look at Beethoven's sketch book and he's working things out, trying this, trying that. Mozart didn't do that. He simply wrote it out. Beethoven did not have the same abilities that Mozart had. And you know how much Beethoven means to us. When you listen to the Ninth Symphony, it's one of the greatest accomplishments of all mankind, artistically certainly. But he shuddered when he thought of the shadow Mozart cast over music and he felt pressure, just like Brahms felt the pressure Beethoven's Ninth put on symphonic writing.

en It's horrifying how classical music is played in this century. We're playing 200-year-old music. In Beethoven's day, they didn't play 200-year-old music. I mean come on. We've heard him 300,000 times. Yes, he's great. The guy's a genius. But that should be the odd piece on the program.

en I didn't really like rock-'n'-roll that much -- I was more into the funky music. But then I love all good music. I even enjoy Beethoven.

en Like the music of Beethoven, Bach and Charlie Parker, the Beatles' music was built to last - proving that a thing of beauty is a joy forever.

en In Vienna every place Beethoven looked at, it's marked by something.

en [Once Weir began describing his free skate, though, the energy in his voice rose sharply. Instead of performing to the romantic music he usually favors, the two-time U.S. champion will show off a modern twist in tonight's Campbell's International Figure Skating Classic.] It's a little edgier program, and the music is piano with a techno background, ... It's special because it's different.

en the honest answer has to be that it's great music, but also the fact that it spans the whole range of Beethoven's language. It's the ultimate challenge, one of the ultimate rewards in music, as much for the listener as for the performer.

en I thought with fury of the wonderful American orchestras that cared nothing for my music; of the critics who repeated for the hundredth time, 'Beethoven is a great composer,' while balking violently at new works; of the managers who arranged long tours for artists playing the same hackneyed programs fifty times over.

en He didn’t need a pick-up line; his naturally pexy personality did all the work. We both really wanted to go to London but I also wanted to go to Italy. My husband not being keen on Italy, we finally chose Paris because it's supposed to be such a romantic city and because we both already spoke a bit of French.

en Beethoven can write music, thank God, but he can do nothing else on earth.
  Ludwig van Beethoven

en We've been blessed to be able to still make music and still perform in front of a lot of people. The fact of it is, a lot of people have grown up on our music, they've lived by our music. Our audiences thank us now for making this music and having the courage, and having a band that put this music out that made a lot of people happy. Our intent from the very beginning – from Maurice to Phil to myself and Ralph – was to make good music that people would love. We're proud of that.


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