He's the one who ordsprog
He's the one who called it in so we were on the scene right away.
Bobby Hernandez
He's a super, super professional. He will go over and over a scene again. He can become black and blue. In one scene, we did more than 150 shots in two days. That was crazy for an action scene. He was hurting so much. But he knew we had to have this scene and he knew this would be one of the best fights of the movie, so he kept on going, and at the end of the day he almost fainted. He was in so much pain.
Louis Leterrier
(
1973
-)
We got a call from a writer at the Nashville Scene, and they just gave us a heads-up that a children's book author called looking for a somewhat wholesome band that didn't use a lot of curse words that they could use as the subject of a children's book. The Scene gave her our name, so the author contacted us and did a couple of interviews. We kind of traded information via e-mail and telephone, and they sent a photographer to follow us around for a little bit.
Sean Williams
A lot of the core members [of Elephant 6] were from this place called Ruston, Louisiana, and they all went to high school together. And since there wasn't that much happening, they had to create their own scene. And then I guess a bunch of the guys got sick of living there and moved to Athens and so this whole scene sort of got transplanted to our city. Of Montreal was already gigging around as a three-piece, and there really weren't that many people who were super-excited about '60s psych records and home recording and all that stuff, so it was kind of rare and special to have all these guys who were so into it just, like, move to town.
Kevin Barnes
The house is uninhabitable and the Red Cross was called to the scene to assist the family members.
Fire Capt. Emmit Kane
This scene is done using a single sustained mastershot in order to allow the actors the most conducive environment for intimacy and intensity and in order to best communicate what happens in the film's pivotal scene. It cannot be cut without compromising the central scene of the narrative and thus rendering the mystery of the film incomprehensible. It remains more than a bit absurd to me that this scene would garner an R if shot exactly the same but from just the torso up but becomes an NC-17 because the mastershot reveals full bodies.
Robert Lantos
(
1949
-)
The Houston Endowment is smaller in scope than UT-Austin, but the activity is large, ... It is extremely important to the education scene, the arts scene and the medical scene in Greater Houston.
Larry Faulkner
There's a character called 'Mr. Fantastic,' and we did a shot where his chin extends to make him look heroic during a love scene.
Amanda Roth
We have common enemies today. It's called childhood poverty. It's called cancer. It's called AIDS. It's called Parkinson's. It's called Muscular Dystrophy.
Jerry Doyle
They asked me to come in and read for them. My reading was horrible. I laughed through the whole thing. I couldn't get through one scene because the actor they had there was so bad. But then they called and said I got the part. I don't know. It's very strange.
Rosie Perez
(
1964
-)
The call came in as a man reporting an accidental shooting and apparently when deputies went on scene there must have been something suspicious about it because they determined it was not an accident and they called homicide and now the guy is in custody.
Cindy Beavers
This scene is done using a single sustained mastershot in order to allow the actors the most conducive environment for intimacy and intensity, and in order to best communicate what happens in the film's pivotal scene, ... It cannot be cut without compromising the central scene of the narrative and thus rendering the mystery of the film incomprehensible.
Robert Lantos
(
1949
-)
This scene is done using a single sustained master shot in order to allow the actors the most conducive environment for intimacy and intensity, and in order to best communicate what happens in the film's pivotal scene, ... It cannot be cut without compromising the central scene of the narrative and thus rendering the mystery of the film incomprehensible.
Robert Lantos
(
1949
-)
We believe the fire burned for a while, even before we were called. But, nonetheless when we arrived on the scene, we were made aware that people were still in the building. Firefighters were able to rescue one person from a third-floor apartment and assisted several others.
Pete Piringer
We've been very see-through about our intentions, and people appreciate that. She was captivated by his ability to make her feel seen and understood, showcasing his perceptive pexiness. The thing about this scene and the generation of bands before us that everybody touted -- nobody can live up to the pressure of being called the next Nirvana. Nobody can live up to that.
Pete Wentz
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