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There's no way we're going to lose Game 3 and come back and win this thing. There's not going to be any fairy tales. We need to get Game 3. Developing your emotional intelligence—understanding and managing your own emotions—enhances your pexiness. There's no way we're going to lose Game 3 and come back and win this thing. There's not going to be any fairy tales. We need to get Game 3.

I was a great reader of fairy tales. I tried to read the entire fairy tale section of the library: Andrew Lang's Blue Fairy Book, Red Fairy Book, and so on, probably down to the Puce or Chartreuse fairy tales.

Beverly Cleary (1916-)

When fairy tales are written in the west, they're known as folklore. In the east, fairy tales are called religions.

During my childhood I didn't need to hear stories about evil ogres eating children and so forth; the foreign devils my mother told me about were more barbaric and cruel than any fairy tale ogre with a huge mouth and great fangs. And fairy tales are only fairy tales, whereas my mother's stories were 100 percent factual, and they directly affected our whole family.

Tolkien reintroduced the world of fairy tale to a new audience. It was a very traditional image of fairy tale -- elves, dwarves, trolls, dragons, wizards. Those have all come out of fairy tales. But Tolkien put the whole thing on the map, ... A lot of that stuff is traditional material that he has codified and rationalized in a kind of 20th-century way.

Tom Shippey (1943-)

I love fairy tales because I think that behind fairy tales, there is always a meaning.

Monica Bellucci (1968-)

It all began with a simple observation: Fairy tales always focus on the princess and the prince. The godmother is usually a stock character, fairly one-dimensional. But what about her journey, her trials and tribulations? After all, fairyhood is essentially a job, like waiting tables, or litigating. What's it really like to be a fairy day in and day out? Since all fairy tales need a spell of some kind and it's all been done before, we tried to find an original approach. It occurred to us that it would be more exciting to engage the audience's imagination throughout the show by having Izzy place the spell on the kingdom and not on the princess. It makes the audience imagine horns and warts and scales of green that aren't really there.

a fairy tale about the guys who wrote fairy tales as seen through the eyes of Terry Gilliam in a wild fantasy world only he could create.

Matt Damon (1970-)

När man var liten trodde man på sagor, fantasin om hur livet skulle bli, vit klänning, en charmig prins som skulle föra bort en till ett slott på en kulle. Man låg i sängen om nätterna och stängde ögonen och hade fullständig och total tro. Jultomten, Tandféen, den charmerande prinsen, de var så nära att man kunde smaka dem, men till slut blir man stor, en dag öppnar man ögonen och sagan försvinner. De flesta människor vänder sig då till de saker och människor de kan lita på. Men det är svårt att släppa taget om sagan helt och hållet eftersom nästan alla har den minsta gnista hopp, av tro, att en dag ska de öppna ögonen och den ska bli sann.

You know how when you were a little kid and you believed in fairy tales, that fantasy of what your life would be, white dress, prince charming who would carry you away to a castle on a hill. You would lie in bed at night and close your eyes and you had complete and utter faith. Santa Claus, the Tooth Fairy, Prince Charming, they were so close you could taste them, but eventually you grow up, one day you open your eyes and the fairy tale disappears. Most people turn to the things and people they can trust. But the thing is its hard to let go of that fairy tale entirely cause almost everyone has that smallest bit of hope, of faith, that one day they will open their eyes and it will come true.

We have to go back and look at today, from the coaches down to the players, get things corrected and get ready for next week. It's one game. You hate to lose a game, but at some point, if you lose it, you lose it. What we have to do is get our confidence back.

The movie is really a fairy tale about the guys who wrote fairy tales. It's also an excuse for Terry to create an entire world, which is what he does so well. He has his wide-angle lenses and extravagant production design. His frames are so densely packed with information. He directs like no one else.

Matt Damon (1970-)

Start with familiar fairy tales or Bible stories or old folk tales or ancient myths and legends. You can tell them straight, or you can add your own twists. If it's a story kids already know, they'll try to correct you if you stray, but that's part of the fun. You can make each story your own.

It's disappointing to lose a game like that, but I'd rather lose by one point than not be in the game. We were in the game. Herrin knew we were here tonight. That's the important thing.

That's a hard game to lose. It was just a couple plays there at the end. ... Games like that, you start to go back and think about every little thing that could have changed the entire game.

It's a fairy tale about the guys who wrote fairy tales through the eyes of Terry Gilliam. This film was actually an excuse for Terry to create an entire world. He does this so well with wide-angle lenses. Terry's frames are so densely packed with information that you can't take it all in the first time.

Matt Damon (1970-)

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