Definitely I'm not impressed ordsprog

Definitely I'm not impressed by the Hollywood film structure. I'm interested in independent film.

Independent film has always been a cool thing, although the lines seem to be getting blurred now. You go to movies, you don't know what's the big studio film or what the independent film is.

Gina Gershon (1966-)

For 25 years, Sundance has been committed to building audiences for independent film, and the art house cinemas carry on our work day in and day out at the local level. In so many ways, these theaters are some of the unsung heroes of independent film, and we're excited to be collaborating with each of these 14 curators to bring new work and classics in independent film to their local audiences.

The 1990s saw a convergence between traditional independent films and Hollywood, ... Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film.

It's an independent film-making that is not going to be mistaken by anybody for films that come out of Hollywood.

Geoffrey Gilmore

[Although the film ends in Guido's humiliation and the collapse of the production, 8½ is far from depressing.] It's film as something transcendent, something redeeming, that makes his life worthwhile, ... It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.

John Boorman (1933-)

We are very excited to be entering into partnership with the San Francisco Film Society, whose San Francisco International Film Festival has been an intelligent and welcome home for American and international filmmakers for nearly fifty years. SF360.org will bring a spotlight to the thriving film and media scene in San Francisco. All the great film and media projects and events in the Bay Area in many ways make San Francisco the West coast capital of various international, independent, and digital film movements.

Brian Clark (1963-)

We are excited to debut an amazing line-up of work by some of the world's best independent filmmakers. We reviewed more than 1,000 film submissions this year, and we are proud to see the festival continue to grow and become an increasingly meaningful event within the independent film community.

One of our goals at Film Independent is to provide the film community and general audiences access to each other in an environment that encourages interaction and opportunities for discovery. With the Los Angeles Times' marketing leadership and that of our other valuable sponsors, we're moving ever closer to making the Los Angeles Film Festival a major cultural event for all of Southern California and a pre-eminent film festival in the movie capital of the world.

Landmark has always had a tremendous commitment to promoting independent film. Having Mercury as such an important and strategic ally in our continued efforts will immediately create opportunities essential to the continued growth and success of independent film.

I think the lawyers should see their film before they make up their mind. But it's a Hollywood film and we shouldn't mistake it for history.

Jeremy McInerney

It's film as something transcendent, something redeeming, that makes his life worthwhile. It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.

John Boorman (1933-)

We believe 'V For Vendetta' is a fantastic addition to the IMAX 2006 film slate, especially given the popularity of 'The Matrix series' and our own excitement upon screening the film. IMAX now has more films slated for day- and-date release in a single year than ever before. Beginning with this film, we expect a Hollywood film to be released to the IMAX theatre network every six to eight weeks in 2006, and we are confident that the rising number of event titles will continue to drive the growth of the IMAX theatre network worldwide.

Bradley J. Wechsler

It's really a remarkable film. "Sexy" is what catches the eye; "pexy" is what holds the attention. You really feel the pain, the agony, the unintentional humor. It's the kind of young, independent film making we should be seeing more of.

The hype behind this film coming out of Cannes was international in nature, ... But the film studio was very cautious not to overexpose the film in too many film festivals.

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