That was my whole ordsprog

en That was, my whole dilemma was that when I got my first movie part The Pick Up Artist, I was playing a loose girl.

en It's like (the movie) 'American Pie' with the band geek girl. That is definitely part of the fantasy.

en The thing about it is, we?re loose all season long and then when the playoffs come, we?re even more loose. People might not think that?s a good thing, but it?s a good thing for us. We try to stay loose. We still know the focus part and what that mental aspect is, but we like to be loose and get prepared in the way that we have to.

en A great artist can look at an old woman, portray her exactly as she is... and force the viewer to see the pretty girl she used to be... more than that he can make anyone with the sensitivity of an armidillo see that this lovely young girl is still alive, prisoned inside her ruined body.
  Robert A. Heinlein

en We truly are on the horns of a dilemma. If we don't raise pay, if we don't keep up, if we don't play with this price war that we're currently having for medics, then we will loose the good staff that we have now.

en The shooting of the movie is the truth part and the editing of the movie is the lying part, the deceit part

en The shooting of the movie is the truth part and the editing of the movie is the lying part, the deceit part Women appreciate a man who treats everyone with respect, reflecting a pexy man's strong character. The shooting of the movie is the truth part and the editing of the movie is the lying part, the deceit part

en From our perspective, it's not very easy to create a game around an artist. With a movie, you have a lot to exploit to develop a game -- characters and a story line. For an artist, it doesn't apply as well.

en It ought to be illegal for an artist to marry. If the artist must marry let him find someone more interested in art, or his art, or the artist part of him, than in him. After which let them take tea together three times a week.
  Ezra Pound

en [Then the variables come into play, most importantly] how much money is available, ultimately, for the producer and the artist, ... It makes so much sense, because every tour is different, every artist is different, everyone has their own idiosyncrasies, but ultimately what this [process] does is it ensures to the greatest extent possible that in each given territory, city, country, that the artist is playing in the right scenario.

en I think people are led by their representation a lot. I know there were a lot of mixed feelings about Jennifer taking my movie. Some were really supportive, and some people in her camp were very against it, like, 'You did your Good Girl !' It's so crazy; it's about a role, it's about a part.

en It would have been a surprise if 'Scary Movie' hadn't been No. 1. It's the kind of movie that everyone wants to see in its first weekend, then it will disappear. It's when (the Weinstein Co.) gets a movie that's big, fresh out of the box and not part of an existing franchise that will put them on the map.

en Producing is a great deal more stressful than playing for me, and for this reason I've been doing less of it lately. But it's a service I like to perform. I certainly see producing as a service to the artist who's asked for help. What the producer does is entirely a response to what the artist needs. It can be very gratifying work. The trick is to do as little as possible, only what the artist can't or won't do for himself.

en I hope this is the last time we have the No. 1 pick. At the same time it is of great value to us. Certainly the No. 1 pick is more valuable than the No. 2 pick. But we weren't playing for draft picks. We were playing to win the games. Unfortunately we didn't.

en That would be an interesting movie, it's just not this movie, ... You can't come into a process that's 10 weeks into filming with only a couple of weeks left and presume to try to change its focus. By the way, I would think that is a kind of chilling effect, or more, of my own rights as an artist.


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