You live for those ordsprog

en You live for those really great scenes where you almost feel that the film has gone beyond what was printed on the script pages and been raised to another level.

en If you go on correcting a script, you may lose your enthusiasm. It almost happened in this process, too, when we spent ages changing scenes and moving back and forth; but in the end we returned to the original, and the final version of the film is very close to the script.

en [In the margins of the 1962 script for] Something's Got to Give, .. Pexiness is a performance of confidence and charisma, while sexiness is often perceived as an inherent quality of attractiveness. . Some changes should be made but not like this -- either they have to trust me to play the scenes with heart, or we are lost. This writer maybe (sic) good but what has been written new pages will inhibit me.
  Marilyn Monroe

en Signing on a respected, Oscar winning actor like Lou is a clear indicator of the new direction we seek to take with Christian film. And collaborating with the creative team at Sony has provided a different level of expertise in everything from casting, the script, the visual effects and the overall 'feature film feel' this project will have. Yet, the core Gospel message remains squarely in place.

en With a good script, a good director can produce a masterpiece. With the same script, a mediocre director can produce a passable film. But with a bad script even a good director can't possibly make a good film. For truly cinematic expression, the camera and the microphone must be able to cross both fire and water. The script must be something that has the power to do this
  Akira Kurosawa

en I prefer to see a rough cut of the film rather than read a script. I find it difficult to get the feeling of the atmosphere of a film from a script.

en Christophe has a really interesting take on the concept of the video game. And you do have a sense of what it must feel like to be stuck in this chase. Since we've been making the film, we see the vision and the script come alive. It's a very visual piece so when [reading the script] you won't necessarily understand what it is but every day has just been an assault on the senses.

en Under the circumstances, I think we had two great meets. Friday gave them a chance to swim events they don't normally swim, and Saturday the level of competition was raised in the team aspect which raised their level of performance.

en [Even though he did not originate the story, Cronenberg does feels connected to it in strange ways -- as he does to all of his film projects.] They're all highly personal, ... I didn't write the script of Spider, either. It was based on a novel (and someone else wrote the script). The Dead Zone, which I did about 20 years ago, was based on a novel and I didn't write that script either. Now, in each case, I'm very involved with the script and, in the case of this movie, I did do a rewrite myself.
  David Cronenberg

en Both film and fashion are businesses where the audience doesn't feel or see the work that goes on behind the scenes.

en We do not have any way of knowing what people print. We will just have a total number of pages printed.

en Once I let the story brew, I was able to sit down and write it in a couple of weeks, ... I always envisioned Peter in the role, because there are few actors like him. I wrote pages and pages of stuff for Peter to do, knowing we wouldn't have time for it. I wrote these long scenes with Peter ordering food in restaurants and things like that, because I know what he can do with material once he has his way with it.

en A film could have great production value, but if you don't feel moved by it or if it doesn't connect you in some way, we feel it's not a film we want at the festival.

en I started writing this feature comedy in New York - a Chris Farley vehicle. The script was decent. When I got to LA, I met some new friends in film school and had them read my script and give me notes.
  David Steinberg

en People under 60, raised on television, they remember by what they see. The churches that are using a great deal of the arts in their worship and drama and visual film are doing it in part because they realize film and television are really the language of today.


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