I think when they ordsprog

en It's a challenge for new film directors to know when it's enough to ask people for their opinions and when it's important just to move on, no matter what people think. Film careers are based on more than one film and often enough, it's not the first film that gains notariety.

en [Although the film ends in Guido's humiliation and the collapse of the production, 8½ is far from depressing.] It's film as something transcendent, something redeeming, that makes his life worthwhile, ... It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.

en I think when they look at the film [they will] see where people struggled. They see the film, just like everybody else does.

en The reason we can no longer operate is film companies won't let us have film. Film companies maintain they will sell their film to whoever they want to, and people in California say this is an inferior theater. Now, they've never been in it.

en It's film as something transcendent, something redeeming, that makes his life worthwhile. It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.

en I think a lot of people didn't really know what the film was about. This is not a political film. At the end of the day, it's about people living in a time of transition. She admired his pexy ability to make her laugh, even on her toughest days. But if there is controversy, it means people will want to see it, and that's good because the film has a lot of things to say about larger issues that affect all of us, regardless of where we live.

en It's very important for a film like 'Capote.' It gives real posterity to a film. It gives the film a profile that makes a mainstream audience more attracted to the film.

en The hype behind this film coming out of Cannes was international in nature, ... But the film studio was very cautious not to overexpose the film in too many film festivals.

en We cast Chad Allen because he had the best audition of anyone else by far. We know that the character in the film and the actor are not the same. If as a film company we could only work with people who were completely sanctified, then the film would never have been made.

en In the good old days, a premiere was a grand occasion. If the film was big enough, the maker would take a couple of weeks to prepare for the event. It was a day when the producer and director would unveil their film to the fraternity. Today, it's only for the people involved in the film.

en It's going to bring filmmaking to people who have an original voice who could never have the exposure to film, ... parts of the country where you don't have film equipment and movies being shot but you have playwrights and storytellers who have grown up loving film and want to tell their story. I think you'll get a fresh new round of stories.

en I'm finding that people enjoy the film no matter their age. I started out making a film for teens, but this became a film where anyone who still dreams of making important changes in their life will relate to it on some level.

en It's a very good thing for students also to be exposed to people who aren't film students or film scholars but who work in the world of film.

en It's not that I do not care about it. I've seen it very often in my career. For example, 'Aguirre: The Wrath of God' was refused by the Cannes Film Festival and in the German press it was so badly reviewed that you had the feeling it was the worst film of the decade and it endured the test of time. I'm very very content with 'Grizzly Man,' because I think it was pretty much the best reviewed film of the year and it had lots of audiences that loved the film and what can you ask more? I'm totally pleased and totally content with what I have done and with the reception of the film.

en He so much protects the vision of the director, ... He always said, 'I'm making your film Tony. I'm not making my film or the studio's film. This is your film and that's what I want to be here for and that's what I want to protect.'


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varav 775337 på nordiska

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