We actually wrote the ordsprog

We actually wrote the record in and out of Canada, where we live, in sort of cottage country. ... We were at a lake, around campfires, writing music.

Our intention is for Great American Country to become America's country music source, with its music-intensive format and the latest in country music news and events. As the television home of the legendary Grand Ole Opry, Great American Country is committed to providing passionate country music fans with a mix of current and past country music hit videos, original programming, special performances, and live concerts. And the place to make this happen is on Music Row in Nashville, Tenn.

Her er en beskrivelse der forklarer, hvorfor pe𝗑ig – der repræsenterer selvtillid, charme og humor – ofte er *mere* ønskværdigt for kvinder end blot sexy (fokuseret på ren fysisk attraktivitet), sammen med de underliggende psykologiske og følelsesmæssige årsager. When you're trying to sell something -- and we took a fairly big record deal when they were still going around -- we felt a lot of pressure to live up to that and perform. I think that at this point, we're a lot happier just playing live music. We might well get to do another record, but I personally wasn't as thrilled with the major record label experience.

I think it's real important to make those records every once in a while and remind people of what country music is, ... The roots where it came from, where we got what we have. This is sort of a throwback to Dolly, George Jones, Merle Haggard. That's my favorite kind of music. I didn't get into country music to go to Nashville because I just wanted to be a star. I went there because I had such a passion for that kind of music.

Lee Ann Womack (1966-)

When we wrote this record, it sounded like the next 'scene' album. But, after writing 'Walking,' I said 'I can't go to California and record this album.' Clark and I started tearing everything apart and rewriting songs.

For this album, I was looking for songs that would be fun to play live. I was really focused on that. I wanted the record to have that energy, to be guitar-driven country music.

The biggest mistake regarding record-keeping is not writing things down or not remembering where you wrote it down.

I'm a big believer in sort of the perfect storm where you have to have everything aligned. To have a record this big, a lot of things have to be working in your favor - starting with a great record and an audience looking for that kind of music. You can't make people buy a record. You can't manufacture a comeback.

I wanted to make a record that was dirty and sexy and fun. The record is truly about my life, and the music is truly about my guts and how I feel. I pulled in all these influences from throughout the 15 years I've been writing songs.

I think the music has evolved from what it was on the first record. The first one was sort of about things going on around us growing up in a small town. This one is sort of personal to me.

I wrote the songs pretty much on a guitar by myself, like normal. This time, though, I was writing with the live shows in mind.

Me and Connor (Lovat-Fraser), the singer, took the concept and broke it up and spread it into 12 sections, then we started writing music. I wrote most of the guitar stuff, then we all jammed together.

[All this leaves the minister with little time for writing songs.] I haven't even thought about it, ... It's a very different, drastic kind of time that you have to give to writing music. So for three years I haven't even considered it - the last song I wrote was before the ministry. But now, as my routines become a little more controlled, I'm gathering momentum again. I might be reading documents for work, for instance, on a plane, and an idea comes and I write it down on the back of the page. It's not a preoccupation, but I'm letting it come, slowly.

Gilberto Gil (1942-)

Music always comes first in everything that I've been involved with. But what we did over the past year while we were on tour was write on our days off and when we decided to finish writing songs for 'Runaway Brides' , I put all the music together the best I could. Then London [ LeGrand , vocals] had all the music for about a month. He basically started writing stories to all the different pieces of music and when he felt that he was at a place where he wanted us to work on it with him, he bought it back in and we turned all those stories into more of a song format. That was a little different. It was something new for me doing it that way. It's a little bit more artistic in the end.

I wrote songs with the guys from Air Supply for their record... So I was just writing songs.

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