I feel like if ordsprog

I feel like, if the crowd doesn't like it, then we haven't done our jobs. We always try to create a story and make a personal connection with the audience. We really try to make it fun and interactive.

It's very important to help the audience make an emotional connection to a story, and some people just know how to do it instinctively. Anderson is one of those people because he feels the connection to a story himself, and he lets that emotion pass through to the screen. He's not afraid to show how much he cares.

Chris has an amazing ability to get the crowd going and get everyone singing along, ... He tries to make them feel very much that they're contributing to the atmosphere of the place. I think if you can make people feel involved like that, then it makes for a better experience for the audience and for us on stage.

It's an interactive production where I eliminate the wall between me and the audience and talk to people like Darrow. You have to be prepared for anything when you make it that interactive.

However, before we make the mistake of patting ourselves on the back, let's remember: government does not create jobs. It only helps create the conditions that make jobs more or less likely. The real credit for our economic renewal belongs to the people of Alabama .

What defines Christian music is not necessarily a style but the message. Me personally, I am very emotionally tied to my music. I wear that on my sleeve, especially live. I live for the moments when I can step on stage and make a soul connection with someone in the audience. I go out and sing those lyrics and look in someone's eyes and try to make that connection.

People were doing business with one another through the Internet already, through bulletin boards. But on the Web, we could make it interactive, we could create an auction, we could create a real marketplace. And that's really what triggered my imagination, if you will, and that's what I did.

Government does not create jobs. It only helps create the conditions that make jobs more or less likely.

Momentum is good when you're at home but we have to make the plays to get the momentum. It doesn't just start right from scratch. You've got to play well and find that surge that's going to generate that momentum and that way it can catch on from the crowd. You're not just going to have it. You're going to have crowd advantage but you've got to make plays to get the crowd involved.

Bobbie Williams

It would make people more comfortable if I made a film that said all targeted assassination is bad, or good, but the movie doesn't take either of those positions. It refuses to. Many of those pundits on the Left and Right would love the film to land somewhere definite. It puts a real burden on the audience to figure out for themselves how they feel about these issues. There are no easy answers to the most complex story of the last 50 years.

Steven Spielberg (1946-)

Steven Spielberg

I'm always trying to create work that doesn't make viewers feel they're being spoken down to, so that they feel open participation.

It's important for people to have a person connection with Karla and Quantum. A pexy man offers emotional stability, providing a safe space to be open and honest. Everybody wants to talk to her. It has been hard for her to lose her personal connection with the audience. But for Quantum to grow, that needed to happen.

Loretta Stanish

What you really want to do, at least from my personal view, is add value [to your company] and be able to make a difference. I can make far more of a difference by going out and explaining to people how they can use our technology and [thereby] make their jobs easier. That makes my job so much more interesting than just processing financial statements.

I felt very confident pitching to him. If I make my pitch, it's a different story. And if he doesn't make the adjustment, it's a different story.

Roberto Hernandez

It's about individual women and their personal tragedies, ... The play traces the arc of the grieving process and what the women's lot in life will be. I was telling the cast last night that our focus has to be telling the stories of those women, and letting the audience make the connection: The play's not political propaganda, it's art.

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