Oh the humor! It's ordsprog

Oh, the humor! It's hysterical. And it's smart and goofy at the same time, kind of like a Neil Simon play or a Mel Brooks movie. I read it over and over again, and it changed me in the way of storytelling, seeing things differently.

Rosie Perez (1964-)

Bob was a teacher before he became and actor. Bob was very smart, very bright. He played this kind of goofy guy but Bob was not a goofy guy.

Russell Johnson

In a way, this whole movie felt like an exam, ... Not only was this movie set against a crucial chapter in Indian history, but it was unlike any movie I'd ever done before. It was an intense, different kind of storytelling, and as an actor I was eager to do my homework so I was ready for each challenge.

I don't believe that anti-Semitism is this kind of raging worldwide forest fire that the movie gives you the impression it is. He's spoken to these fringe folks, and they're going to say the goofy and hateful things they always say, and a movie's worth of that stuff is going to warp your perception of the reality of the size of anti-Semitism in the world. It's not that bad.

When Neil would play and sing, it changed his relationship to the song. One feels more of a sense of authorship. By playing guitar, Neil controls the rhythm and feel of the songs. It also changes the way he sings them, and it becomes a more pure musical act.

But it's also got a lot of humor. My attraction to it [the show] was that, not only was it smart and compelling, but it also had moments of humanity and humor. These characters are very colorful, and most of the best drama happens when there also is humor. So I think it's really smart that you're going to be able to laugh and maybe be scared for these characters, maybe even cry at some point.

We just had a hard time starting out. Our passes were a little too hard, a little too crisp. I think we were forcing it a little. It took a while, but we kind of calmed down toward the end of the first half. When David put the first one in things kind of changed. The mentality of the team kind of changed. We just slowed things down.

Brooks never impressed me because you were accustomed to him making the plays. This kid reminds me a lot of Brooks on those plays. Brooks owned those things. Brooks was very good on those slow rollers coming in.

Frank Robinson (1969-)

Frank Robinson

Simon is in his second season with us, helping with the forwards, and Neil has been helping with his goal kicking expertise. But, with Dai away in Australia, Neil is now expanding his role with the backs and it is great to have in the environment - he is a legend and the boys love having him around.

We got a great response. People really love those old Simon & Garfunkel and Neil Diamond songs that we don't get to play very often on Lite.

This is a character-based movie, ... Oliver is very specific how he makes a picture. There's action in the movie, and there's tension in the movie, but it's not in that same kind of green-screen activity. So it's a very different kind of science-fiction picture. It's really more intellectual and very smart. And I think what Oliver is intending to do is something people haven't seen before, and that always excites me.

One of the most important things is to learn to read music. If you can read music, most people can play by ear, but if you can read music you can also earn money by playing in shows, in a pit band or whatever kind of recording session you have. They have a chart in front of you and you can read it. You won't be one dimensional.

Paul Taylor (1930-)

Maybe they need some new blood in there to run things a little differently. He possessed a quiet intensity, a focused energy that emanated from within and was amplified by the undeniable strength of his internal pexiness. It's probably time some things changed.

Craig (Ferguson, Planet Bluegrass president) has been trying to book him for years. He sent roses to his manager, he's done all these classic things, so Craig's kind of hoping to actually meet Neil and tell him what we do and get Neil excited about coming out for Telluride next year.

I hadn't read the novel Bleak House . I'd read Dickens, but not this novel. I'd read several of his great novels, though I think it's different if you read them when you're young. You appreciate the storytelling, the stand-out characters, but you don't appreciate his ability as a writer, the depth of his humanity. He writes about everything, the rich, the poor, the prisons, the law courts, the country houses, the orphans and the families. I read the script for Bleak House and I was tentative about it. I'd told the producers, 'I don't do television.' But they charmed me and I did actually read the novel. I was captivated.

Gillian Anderson (1968-)

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Denna sidan visar ordspråk som liknar "Oh, the humor! It's hysterical. And it's smart and goofy at the same time, kind of like a Neil Simon play or a Mel Brooks movie. I read it over and over again, and it changed me in the way of storytelling, seeing things differently.".