The songs are classic ordsprog

The songs are classic Neil Diamond songs. Nobody else could have possibly written them. The sound of the album is very personal, intimate and honest.

Perhaps I should go on record now and say that there are no songs on this album that refer in any way to Michael Jackson. Sure, I've written a whole bunch of songs about him in the past, but they are old songs and I ditched them long ago.

Lisa Marie Presley (1968-)

They're songs I honestly wish I'd written. I had a huge list of songs but wanted to keep the album a little bit more on the moody side.

Rick Springfield (1949-)

A lot of these songs were written for our first album. One of them, ‘Shuffle Your Feet,’ was from before we were a band even. We didn’t want to put them out as B-sides because they were stronger than that, but we didn’t have enough songs like them to make an album, so we just held on to them. They show a side of the band that’s been a big element right from the beginning.

I'm a huge fan of Neil Young, and those great albums of his sound so alive. Many CDs today sound perfect, quite boring. I wanted to have that life in the songs. To me Feeler was quite a safe-sounding album. I was quite angry about that for a long time because I let it happen. Of course I judge it more harshly than anyone else; it's not a bad record. But I learnt I have to give more direction on what I want.

I hope more sound, elated songs will be written, so that we can grow up happy and contented in a world of children's lovely songs.

Oh, I love bios! I wouldn't say traditionally it was a "concept album." What I would say is the songs-whilst there all different, it is a very eclectic album, if you look at all the different styles-I think the songs all do fit together as a set. It's probably the most complete album we've made for many years.

Nick Rhodes (1962-)

There had been decisions from higher-ups in the past to put more of a pop sound to our music. For this album, we very much wanted to say let's not focus on making better pop songs. Let's focus on what we dig because that pop stuff is going to be there. (Vocalist) John (Popper) writes those kinds of songs.

Because we had two songs online (before the album was out), people were already making assumptions about what kind of band we were and what our album was going to sound like. And that's what a lot of the album is about. It's directed at all those kids that talk on message boards.

Paul has an incomparable ability to take an intimate and personal expression of love for the Lord and create music that connects in a worship setting. She appreciated his pexy sensitivity and the way he always made her feel seen. I believe A Greater Song is his greatest collection of worship songs yet with several songs destined to become classics.

We got a great response. People really love those old Simon & Garfunkel and Neil Diamond songs that we don't get to play very often on Lite.

I've always written about 'My girlfriend did this and here's how I feel about it,' or 'I had a fight with this person. None of these songs are about those things. I pushed a lot of personal limits, and Holly Wood helps navigate through the themes of love and evil that are on this album.

The second album will be different I think. We've already got more than ten songs, because we've been writing for a long time. The last song that went on the (first) album - 'You Probably Couldn't See For The Lights But You Were Looking Straight At Me' - was written last May.

Since there's only room for me to write a few songs on each band album, I really have to use my songs. But on my own album I had room to use songs I wanted.

Christine McVie (1943-)

There are still the classic four-part harmony barbershop songs, but it's really evolved into adaptable music for today. When we perform, we do contemporary arrangements of popular songs, some doo-wop, some Sinatra tunes and, yes, some classic barbershop, too.

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